As writers, we’re always looking for the perfect POV that will really bring our books and stories to life. For my own novels, I tend to use either third person limited (this is what I think most readers are comfortable with) or first person. I’ve also dabbled with alternating third person perspectives, which I think worked well in my Mentalist fic, Red Brick Road.
Recently, I’ve read a couple of books that used something I’ve never tried before: alternating first person perspectives. The books each focused on two main characters, a male and a female. The POV shifted from one to the other every time a new chapter started. In each case, the POV character’s name was printed on the first page of the chapter, e.g.:
Chapter One: Bobby
Chapter Two: Lisa
Chapter Three: Bobby
This was done – I assume – to prevent readers from becoming confused. I’ll be honest, though – despite this extra effort to be clear, I still frequently forgot which character’s POV I was in. It happened often enough that it got annoying. I would either have to flip back to the first page of the chapter to check the name, or else wait until an obvious clue popped up. If the POV character started talking about Lisa, then I’d know I was reading Bobby’s perspective. If the character adjusted her bra strap, then I’d know it was Lisa (that, or we just learned something really interesting about Bobby).
One of the books I’m referring to here is Allegiant, the third installment of the Divergent series. In perusing the reviews on Goodreads, I found another reader who mentioned the same issue of losing track of which POV was which. The reviewer stated that Tris and Tobias’ voices were not distinctive enough to immediately tell the difference between them.
As soon as I read this, I thought, Yes! That’s exactly it!
In identifying the problem with Allegiant’s alternating perspectives, I think this reviewer also helped provide a possible solution to any writer brave enough to attempt this feat:
Make those POVs different. Make each character’s voice so friggin’ distinctive that you can randomly select any sentence from any chapter, and instantly know whose perspective it is – without having to cheat and look at the first page of the chapter.
I think this would be extremely hard to pull off successfully, but I believe it could be done. That said, anyone considering writing a novel in alternating first person POV should know the potential pitfalls. Even a brief moment of confusion or disorientation takes the reader out of the story, which is a bad thing (especially if it happens over and over again). And just putting the character’s name on the first page of the chapter simply isn’t enough, so really think about whether this POV is the best choice.
Of course, if your heart is absolutely set on alternating first person POV, then there’s nothing I can say to change your mind (we writers can be so stubborn when it comes to our babies). But if you’re still on the fence, consider some other options that might be more effective and easier to execute:
- My writing partner is just finishing up a novel that alternates POV between the main character (first person POV) and her love interest (third person). It is easy to tell the difference between the two perspectives, and allows the reader to feel deeply bonded to the main character while still exploring the thoughts and emotions of her past (and future) boyfriend.
- If you desperately want to do two first person POVs, consider writing the first half of the book from Character One’s perspective, and the second half from Character Two’s perspective. I think this would allow readers time to settle in to each POV without being jolted or confused by constant switching back and forth.
- Alternating third person POV is super fun to write; it lets you explore the thoughts, experiences, and voices of multiple characters. And since you are frequently mentioning the character by name and pronoun, your readers will not have a chance to forget which perspective they are immersed in.
When in doubt, read as many books and stories as you can. Soon enough, you’ll see for yourself what works and what doesn’t, and you’ll know exactly what to do when crafting your own piece of literary art.
Happy Writing! 🙂
















