11 Things Mentalist Fans Will Love About Forever

Yes, it’s true – tonight we will be bidding a final farewell to our beloved TV show, The Mentalist. Of course, Jane, Lisbon, Cho, Abbott, Wylie, Rigsby and Van Pelt will all continue to live on in fanfiction, fanart, and in fan-fueled discussions all over the Internet. But there will be no new adventures on our screens each week, no more watching Jane hypnotize a witness or piss off an arrogant suspect. Losing this show will leave a big, hollow pit in our lives, and while no other police procedural could ever completely fill that hole, there is one show that’s helping me cope with the loss. That show is Forever. I have fallen madly in love, and I think many Mentalist fans will feel the same way, if they give Forever a chance. And so, without further ado, I give you:

11 Things Mentalist Fans Will Love About Forever:

1.) That SMILE – You know that smile Jane has? Not the “I’m smiling as I envision your painful death” one, or the “I’m smiling but my heart just got ripped open” one, either. I’m talking about the one he does that’s just pure joy. The one that makes the sun shine brighter and the world spin faster and twittering cartoon birds land on your windowsill because it’s just that magical. You know that one? Well, Dr. Henry Morgan, the main character on Forever, has got one, too. When he smiles, it’s like he’s smiling at me. I can’t help but smile back. Happy chemicals are released in my brain, and my whole body gets the benefit. It’s a scientific fact – smiling improves your health. And on Forever, just like on The Mentalist, you’ll get no shortage of reasons to grin. 🙂

2.) The Chemistry – Whether as a romantic couple, best friends, or simply partners at work, it’s no secret that Jane and Lisbon crackle on screen. It’s a rare dynamic – to have the woman being the one with the gun, the one tackling suspects, the one kicking down doors. She’s a cop; he’s not. It’s a flip-flop of traditional roles, and it’s refreshingly wonderful to watch. Over on Forever, you have a very similar dynamic between Henry and Detective Jo Martinez – a not-so-tough non-cop tagging along on investigations with his strong female partner. Unlike The Mentalist, where Jane and Lisbon already knew each other in the show’s pilot, Forever gives us a chance to see this special relationship between its lead characters blossom from the very beginning. Henry and Jo lean on each other. They protect each other. They confide in each other and go out for drinks after hours. Their bond deepens with every episode, and the “will they or won’t they?” debates have already begun.

3.) Oops, Wrong Time Period – I don’t know if it’s his carnival background, or that he’s simply an old soul, but Jane has always struck me as a guy born in the wrong decade – or maybe the wrong century. He dresses in three-piece suits, calls airplanes “flying machines” and generally gives off a vibe that he’d be more comfortable using an abacus than a calculator. While Jane may be an old soul, in Henry Morgan’s case, the “old” part is literal. With his age at 200 years (and counting), it’s no wonder that Henry sometimes uses outdated terms like “vector,” dresses in a long coat and scarf, and carries an antique pocket watch. If you loved those little tastes of vintage charm on The Mentalist, you’ll be sure to love them on Forever, too.

4.) It’s All About the Team – From Day One, The Mentalist was never a one-man show. It was never just about Jane, but rather about him and his new-found family: Lisbon, Cho, Rigsby, Van Pelt, and even Minelli. In recent years, that family gained a few members – Abbott, Vega, and Wylie – but one thing didn’t change: the show was about them, too. Over the course of the series, we’ve met all three of Lisbon’s brothers, two of Cho’s girlfriends, Rigsby’s dad and Abbott’s wife. We’ve watched Van Pelt and Rigsby fall in love, get married, and have a child of their own. We’ve watched Wylie get up the courage to ask Vega out. And through it all, we’ve watched these characters stand by each other, protect each other, and comfort each other. Forever isn’t a one-man show, either. It is about Jo’s grief over her husband’s sudden death from a heart attack. It is about Lucas’ comic book obsession, Detective Hanson’s desire to shield his partner, and Lt. Reece’s nephew getting screwed over by the music industry. It is about Lucas gently placing a blanket over Henry’s shoulders in a moment of vulnerability and Hanson jokingly buying Henry a Speedo after one of Henry’s skinny dipping arrests. It is about a team of coworkers coming together as a family – and being there for each other, no matter what.

5.) The LOL Factor – One of my favorite aspects of The Mentalist is how much it makes me laugh. Whether it’s Rigsby talking with mustard on his face, Jane off-handedly delivering a MAJOR insult to some highfalutin know-it-all, or Cho simply giving a deadpan look, The Mentalist cracks me up more than most half-hour comedies. I’ve always said that the best dramas can not only make you cry, but can also make you spray 7up out your nostrils (which kinda hurts, because it’s fizzy). Forever is another one of those dramas that has it all. Lucas Wahl is guaranteed to elicit at least one guffaw in every scene, his antics ranging from dutifully sniffing a corpse’s stomach contents to gleefully playing the part of a murder victim in one of Henry’s reenactments, and Detective Hanson’s deadpan could rival Cho’s. If you’re looking for a well-rounded show with laughs, scares, joy and sorrow, look no further than Forever.

6.) Hello, World – In many ways, The Mentalist is a show about an isolated, deeply traumatized character slowly but surely rejoining the world of life. After his family’s murder, Jane had a mental breakdown. He lost everything, including his sanity. The series chronicles his painstaking journey to find something beyond revenge – to find a reason to live again. Jane gradually lets the other team members into his heart – he risks caring about them, even though it could mean huge heartbreak down the road. He learns to lie in the sand and surrender himself to the little joys of life. Although Henry’s family was not murdered, he has also suffered great losses – and is doomed to continue this cycle, as he will outlive everyone he ever loves, including his own son, Abe. The sharp tragedy of this makes it tempting for Henry to remain in his dusty basement laboratory (not unlike Jane’s little attic at the CBI – only with cooler stuff), cutting off humanity. Over the course of the season, however, we see other characters like Jo and Lucas drawing Henry out of his shell, getting him to join them for drinks, getting him to risk his heart again. He still hasn’t shared his whole self with them, and probably won’t for a good long while, but it’s a moment I wouldn’t miss for the world.

7.) It’s Like Talking to a Five-Year-Old – If you’re like me, you get a continual kick out of Jane’s “little boy” antics. His dramatic reactions to things, his hiding behind other team members when he’s about to get walloped, and above all, his playfulness. Who else would hop on a parked motorcycle and make fake revving noises? In all honestly, probably not Henry Morgan. But he does have a touch of that child-like spirit. Sometimes, he’s downright innocent. There’s a vulnerability to both characters that makes you want to protect them, to shield them from further pain. And Henry, much like Jane, has moments when he’s just completely filled with awe or wonder – or can’t resist horsing around on the job. In Henry’s case, his partner in the morgue, Lucas, tends to bring out the child more than anyone, and their romping reenactments of murders are as much a riot to watch as Jane impersonating God on a megaphone.

8.) Wait, That Was Evidence? – Patrick Jane’s crime-solving methods are unusual…to say the least. Dr. Henry Morgan also has his own “quirky” way of doing things. Jane steals an iPod out of its evidence baggie and uses it to jog a witness’s memory. Henry takes a damaged vintage audio tape (which happens to be evidence in a homicide) to his home and BAKES it. In his OVEN. Whatever their methods, these guys get results. The only real difference between them is that Jane has never (and probably will never) care very much whether a District Attorney’s ability to prosecute a case is damaged by his hijinks during the investigation. Henry, OTOH, is quickly learning what “chain of evidence” means and how important it is not to tamper with it.

9.) Foreign Delights – You know how sometimes, when Simon Baker says certain words, his delightful Aussie accent slips out? If you’re like me, you wait for and thrill over those little moments, and the curious way he pronounces certain words, like saying Tereza instead of Teresa. Well, one of the many awesome things about Forever is, you DON’T have to sit around waiting for little flashes of accent to pop out here and there. You can enjoy Ioan Gruffudd’s wonderful Welsh brogue in each and every episode, from start to finish.

10.) Move Over, Sherlock – Jane’s incredible powers of observation stem from his mighty mental fortress. Henry’s come from over two centuries of studying every aspect of humanity. Either way, you get the joy of watching a detective who notices even the most minute details – and can use those details to colorfully flesh out the story of the crime. I love a great mystery, but what I love even more is a great investigator. Especially one who doesn’t shy away from sniffing corpses. 🙂

11.) The Big Bad Wolf – For years, Jane had a formidable nemesis in Red John – the shadowy figure who loomed over everything, was responsible for murdering Jane’s family (and countless others), outsmarted Jane at every turn, and seemingly could not be caught. Red John episodes always got my heart slamming, my teeth grinding, and my butt perched on the very edge of the couch. These were the episodes where something happened. Where the core storyline of the show moved forward. Much as I enjoyed the filler eps, the Red John eps were what I looked forward to most. If you’re a fan of shows with great mythology and compelling baddies, look no further than Forever, where Dr. Henry Morgan’s chief enemy – and occasional ally – is a creepy, 2,000-year-old fellow immortal named Adam. He hasn’t killed any of Henry’s loved ones – yet. But the threat is always there, and his murderous, psychotic nature is not in question. Nor is his keen intelligence, honed over thousands of years of life. And his downfall may prove even more difficult than Red John’s, since Adam can’t die, and his supernatural existence would make traditional prosecution near impossible. Intrigued? I know I am! 🙂

 

The Race: Midseason Musings

(Okay, when I wrote this post, it was actually a lot closer to midseason than it is now. Nonetheless, the scores still stand!)

So, time’s been winging its way along like a carrier pigeon, and here we are, over halfway through the TV season. Well, the network TV season, at any rate. This is the time when I’m starting to ask myself some important questions, like:

“Which shows am I looking forward to the most?”

“Is there a breakout star in the pack?”

And the real biggie:

“Which shows do I want to start reading fanfiction about?”

Right now, the shows fall into three categories:

Old Favorites – the ones I already read (and even write) fanfiction about

The Mentalist and Supernatural both land firmly in this category. They’re both having strong seasons this year, although The Mentalist has been hurt recently by a super-long hiatus. Thankfully, the drought finally ended with the first new eps in what feels like months. We got to see a playful Jane, fulfilling the secret childhood wishes of his coworkers (it bothered me at first that he didn’t get anything for Lisbon, then I realized he already fulfilled her secret childhood wish when he got her the pony – no way he could ever top that!). We also got to see Jane’s new, er…vehicle. Yeah, I guess you can call it that. Personally I was a fan of the Citroen. This silver thing will take some getting used to. What’ll take more getting used to, however, is the show minus one of its most interesting and unique characters. Why did they have to kill JJ off? WHY? I so was not in the mood for the cheerful preview that aired moments after his death scene. Couldn’t we have had more than a commercial break to mourn him?

Midseason Score: 8

Fortunately, Supernatural only had a short hiatus before kicking out brand new content for us to snuggle with. There was just one bad egg in the new batch of eps – the ep with Crowley and Dean hunting together and Sam and Castiel working to remove Gadreel’s grace from Sam’s body. I liked that Dean got the Mark of Cain (Dean-girls always get a thrill when he’s part of the mythology) and I love the actor who played Cain, but there was just something missing in this ep. Maybe it was the disappointing PB&J storyline with Cass (He may have recently experienced being human for the first time, but he’s had humanity – and morality – for years. Even back in Season Five, Cass refused to kill Sam to stop the apocalypse).

Anyhoo, I’ll forgive one dud ep, seeing as most of this season has been above, beyond, and just plain better than the last three combined. The Garth-as-a-werewolf ep was entertaining (who doesn’t love Garth?) but I DID mind that they messed with the werewolf “rules” on the show. Apparently, now werewolves can change at will – not just when the full moon beckons – and can control their behavior if they “try hard enough.” This means Madison in the episode “Heart” could have been saved. Which detracts from the episode “Heart.” Nothing should detract from that ep, dang it!!

Other than that, though, the Garth ep was cool. The first really AWESOME ep of the new batch was the one where Sam and Dean went undercover at a health spa to hunt a Peruvian (?) Fat Sucker. Really cool storyline that went back to basics, but also had some cool new twists. The episode with Kevin’s ghost and Tiger Mommy (YESSSSSSSSS!!!!) was just plain sublime, and revisiting the Ghostfacers was fun and sad at the same time. Also of note: “#Thinman” was probably the scariest episode we’ve had to date this season. So, kudos. All in all, this season is a bulging container of awesome, ready to explode all over the place.

Oh, and for those people who might be worried about the strife between the bros? For me, it’s only adding to the pleasure. Because I’m hoping – really, really hoping – that Sam’s going to eventually prove himself wrong. That he really would go to the same lengths to keep Dean as Dean went to in order to keep Sam. And seriously, for a guy who “doesn’t want to be brothers,” Sam sure does run fast whenever Dean calls for him. 🙂

Midseason Score: 8.5

Rising Stars – the ones I don’t read fanfiction about, but am starting to get tempted

These two were a bit of a surprise. But when I asked myself which shows I look forward to watching the most, which ones I think about when they’re not on, which ones are really starting to get my fire going the answer was pretty simple: Castle and Grimm.

For some reason, these two are just working. Grimm has never been more entertaining. The cast is just overflowing with great characters, and the writers seem to be on the literary equivalent of a runner’s high, churning out great story after great story. Getting to meet Monroe’s parents for the first time was cool and painful at the same time. The parallels to real-life racism are all too real as the show continues to explore “mixed” marriages and friendships. We all knew Wesen weren’t supposed to hang out with Grimms, but who knew a Blutbad couldn’t get engaged to a Fuchsbau without severing family ties? The writers have also unleashed a slew of new baddies for Nick and Co. to fight, resulting in high-octane action and super-creepy monster moments. Those hair-wearing warriors were the ultimate Big Bads, while that Aswang thing that attacked the pregnant lady was just plain EW. And Adalind’s Hexenbiest baby, though perhaps not technically a villain, might be the scariest of all with those freaky, glowing eyes.

Midseason Score: 8

Equally on fire is Castle, which continues to find new and interesting ways to explore Castle and Beckett’s relationship without allowing it to grow stale. From intense episodes like Beckett undercover as an assassin, to more lighthearted installments like the ones featuring Carrie-like telekinetic powers or a Miley Cyrus-ish pop star gone dark, I am always Velcroed to my seat when this one is on. It makes me laugh, it keeps me guessing, and it makes me awful happy Caskett are a couple right now. Only the best shows have elements of comedy, drama, mystery and romance. This one has it all.

Midseason Score: 8

Dark Horses – the ones I love to watch, but I don’t see the relationship developing into full-on fangirl obsession anytime soon (though there can always be surprises – that’s why they’re called dark horses 🙂 )

The majority of my shows fall here, including Elementary, Chicago Fire, Chicago PD, Beauty and the Beast, Marvel’s Agents of SHIELD, and even some I watch but don’t review, like Tomorrow People, The Good Wife, and Blue Bloods.

Make no mistake – these all are Must-See TV with a capital M. Chicago Fire has been just as amazing this season as it was last year. Katie’s attack, Benny’s revenge, Matt’s memory problems, Gabby’s struggle to become a firefighter, and Jones’ floundering as she tries to fit in at the firehouse are just a few little morsels in a non-stop chocolate chip conveyer belt of great stories. You just love the characters – even as they add more and more, it never feels too crowded. I was bummed when Rafferty and Katie left the show – I hope they will be back, because even after a short time, I had already grown attached.

Midseason Score: 7.5

Same goes for Chicago PD. A big pile of likeable, loveable, and even just plain interesting characters. Couple that with wonderful acting and stellar writing, and this show is a big, fat WIN, just like its big brother, CF. From drug mules to street justice to covering up a family member’s involvement in a murder, the storylines just get stronger and stronger. The crossovers between the two shows are a bonus treat for people who watch both – which, hopefully, is everyone.

The only crossover disappointment was the “2-hour SVU/Chicago PD Crossover Event.” Once again, we have NBC doing the false advertising thing. In no way was that a “2-hour crossover event.” I watched an entire episode of SVU, thinking that the storyline was going to in some way relate to the Chicago PD episode that was airing next. I spent almost fifty-five minutes waiting for CPD characters to show up at any moment, only to have a brief cameo by Erin in the final five minutes of SVU. I can’t believe I missed Tomorrow People to watch the first hour of something that couldn’t even loosely be construed as a “2-hour event.” The sad thing is, NBC has a great line-up right now – they don’t need to lie about their programming. Hopefully, they haven’t hurt themselves too much with this crying wolf business.

CPD Midseason Score: 7

Over on Elementary, the writers have continued adding emotional depth to this season by having Sherlock serve as a sponsor to a recovering young addict, and by revisiting old Scotland Yard friend/foe Lestrade for a two-episode arc. Throw in a couple of reformed roosters and a couple of ears grown on the back of a lady who faked her own kidnapping, and you’ve got a pretty darn entertaining show.

Midseason Score: 6.5

Speaking of entertaining, Marvel’s Agents of SHIELD is a total powerhouse, delivering action, emotion, great characters and butt-kickingly awesome special effects. I am super-glued to the screen for the duration of this super show. Even a healthy splash of nailpolish remover couldn’t unstick me from the couch while SHIELD is on. When Skye got shot, I felt like I was the one who couldn’t breathe. I liked how they went back and showed the different timelines for each character, showing how each ended up where they finally ended up when Skye was wounded. The battle to find the Guest House and the miracle drug needed to save her life was riveting. Who wants to see these characters in the next Avengers movie? **Raises hand and waves it exuberantly** Me! Me! Me!

Midseason Score: 7.8

One show that has upped its game – and its entertainment value – this season is Beauty and the Beast. I am loving the humor this season, from Vincent and Cat stuck in a crashed car together, to Vincent appearing on an episode of The View, I have laughed out loud so many times while watching this show, and that is a good thing. All great dramas need to be able to pull off the comedy, too. Another good thing: really cool beast mythology episodes. Beast skeletons? Shackles? Dungeons? A mysterious gemstone? Count me intrigued! But, of course, it wouldn’t be B&B without the love triangles, and Gabe/Cat/Vincent has me hooked like a small-mouth bass. Wish they hadn’t killed off Tori so soon, but maybe they’ll have another she-beast in the near future. Why should guys get to have all the fang-snapping fun? Only major quibble this season: did they have to make the gemstone green? Between that and Kristen, I’m having Smallville flashbacks here…

Midseason Score: 6.8