The Race: Weeks 14 and 15

Catching Up:

Nikita dominated weeks 12 and 13 with its trademark explosive action and mindblowing twists. Marvel’s Agents of SHIELD nosed into a close second, coming in superhero strong with a mid-winter finale that left our beloved Coulson in the hands of the Centipede baddies. The two-hour Grimm was somewhat disappointing, not because they weren’t two very good episodes, but because they were two SEPARATE, very good episodes. Based on the advertising, I was expecting a single, movie-length ep of Grimm, and couldn’t help but feel short-changed by what we got. Next time, NBC, just call it what it is – two hours of Grimm, back-to-back.

Skipping ahead over the few weeks where Nikita ran a one-woman race against herself, that brings us right up to January, aka the month that has me singing, “Hey-La, Hey-Da, My Shows Are Back!”

Week 14:

Thursday

Elementary (10/9c, CBS) – Moriarty has a daughter. IIIIIIIInteresting. Moriarty also has a side-of-a-building-sized portrait of Joan. Can we say creepy? Great episode with some unexpected revelations. Joan found out about the letters from Moriarty, which the audience has known of for some time. What we DIDN’T know – and only just found out in this ep – is that Sherlock has been writing back. Moriarty chose not to kill her guard because Sherlock would not have wanted her to. I kind of love this totally screwed-up relationship. One-tenth of a point deducted for a really stupid guard who, even as Moriarty was telling him what she did, even as he SAW the drops of blood, still let her get the jump on him. SCORE: 7.9/10

Friday

Grimm (9/8c, NBC) – If there was one on this date, I think I missed it, or at least most of it. Which stinks, because I am digging it this season – I love that Juliette has her memory back, that she and Nick are together again, and that she knows about Wesen. Also grooving on the adorable Rosalie/Monroe ship – I practically OD on cuteness every time they’re on the screen – and that Hank is still front and center alongside Nick in most episodes. I do NOT want him written off to the side – the bromance with Nick is just too wonderful. SCORE: Withheld

Sunday

The Mentalist (10/9c, CBS) – Jane went on a date – or two. Were the girls jealous? Kim, yes – at least a little. Lisbon? Not really, but she’s been around him long enough to know he was up to something. My mom was worried Jane didn’t know the drug dealer boss lady was evil. I thought he probably did, since he usually knows, well, pretty much everything. Even so, Mom had me doubting it a little. She got me wondering whether Jane was in a vulnerable position and if he was actually going to get hurt by the revelation that this chick was a cold-blooded murderer. Turns out, he DID almost get hurt, but only because of his own stupid, rescue-at-the-last minute plan. Cutting it a little close there, Jane. 🙂 Bonus points for a soaking wet Jane and the return of a worn-out, brown leather couch. 🙂 SCORE: 7.5/10

And the winner is…Elementary! The long-awaited return of Moriarty – and the compelling actress who plays her – made this ep a must-see.

Week 15:

Monday

Castle (10/9c, ABC) – Way to jerk my tears, Castle. The emotional story of Sarah Grace’s birth brought a lump to my throat. I couldn’t help but be moved by the phone conversation between Jenny and Kevin, the undeniably bromantic moments between Kevin and Javier, and the general anxiety of knowing that two of our favorite detectives were trapped in the basement of a deadly blaze. The pyromaniac story has been done before, but Ryan and Espo in peril as Jenny prepares to become a single mother? That was the story that made this ep. SCORE: 8.5/10

Tuesday

Marvel’s Agents of SHIELD (8/7c, ABC) – Thank you, SHIELD! Thank you so effing much for rescuing Coulson! I loved the Good Cop, Bad Cop way the two different captors dealt with Coulson. Obviously, Good Cop was the way to go, playing on Coulson’s need to know the truth, rather than trying to force him to cough up information he believed might be a valuable SHIELD secret. Love how Agent May “arranged” to have Skye thrown off the plane, so Skye could do what Skye does best – work off the grid. I never doubted May had her reasons for the apparent betrayal. 🙂 The most important thing is, the team worked together to get their beloved leader back in one piece. It was hard to watch Coulson flashing back over what SHIELD did to him – the robot arms working on his brain while he was wide awake were especially disturbing. And unfortunately, I think we’ve only scratched the surface in terms of learning what exact measures SHIELD took to resurrect him. Here’s hoping we get a nice Coulson/Fury showdown in the near future, so Coulson can ask what we all want to know: “What the —- were you thinking?!” SCORE: 8/10

Chicago Fire (10/9c, NBC) – Matt’s conscious and back on the job? Say what? I spent most of this ep expecting a revelation that Matt was in a coma, dreaming everything that was happening. I didn’t trust what was on my screen. It seemed like a huge jump from where the show left off. Then too much happened, some of it outside of Matt’s perspective, and I realized it couldn’t be a dream. It really was just a big leap. Matt is indeed awake, but suffering fallout from his injuries. I enjoyed the episode, and loved seeing all my favorite CFD guys and gals again after the hiatus, but the contrast between where we started this ep and where we left the characters before the break was a little too jarring for my tastes. SCORE: 7/10

Wednesday

Chicago PD (10/9c, NBC) – Luckily, I made it home from work in time to catch the debut episode of this spin-off. Thanks to their skillful introduction on Chicago Fire, I already felt comfortably at home with these characters and their stories. It doesn’t hurt that some of them have been part of the CF tapestry since early in season one, long before a spin-off was planned, which makes it feel more natural – not like they were deliberately crammed in so we would get to know them before they were transplanted to their own show. This pilot featured good characters, and good stories, that got their own show because they deserved it. I enjoyed the first ep, and will definitely be tuning in for more. SCORE: 7.5/10

Thursday

Elementary (10/9c, CBS) – Finally, a much-needed confrontation between Bell and Holmes! I’m so glad these two guys got the yelling and the other pent-up emotions out of their systems and cleared the air at long last. Bell might not be able to forgive Holmes yet, but at least it’s a start. The dirty cop storyline was a cool way for Bell to show what he is and always has been, hand tremor or not – a detective. Welcome back! SCORE: 7.5/10

Friday

Grimm (9/8c, NBC) – Wesen gangs, a love interest for Hank, and a first “coming out” between friends? I dig it! I dig it so much! Plus, it was kinda awesome to see Juliette kick some Wesen butt. “I’m not impressed.” You tell him, woman! This was the first ep, to my knowledge, that addressed the idea of Wesen/Non-Wesen friendship and Wesen/Non-Wesen romance. I wonder if it is taboo in the Wesen culture to date an average human? Seems like Hank’s physical therapist had a problem with it. I do hope she’ll come around, though – he totally deserves some romance in his life. And who’d be a better match for a tough-as-steel cop than a Jaguarette (sp??) who doesn’t mind biting into bad guys’ throats? SCORE: 7.5/10

Sunday

The Mentalist (10/9c, CBS) – Rigspelt came back! I was thrilled to see them, especially since I had no idea if we were ever going to again. That’s one of the great things about being spoiler-free: SURPRISES! The spy games definitely held my interest, even though the villian wasn’t too hard to pick out. It was nice that the man who died turned out to be a more serious, brave and loyal person than his family ever knew – I just wish they could have known it when he was still breathing. Great little Jane/Cho moment, although I disagree that Jane’s acting crazier than usual. Personally, I think he’s at a pretty standard level of insane. The “date” stuff with Lisbon and Ardilles was fun – they are doing more with the Lisbon/Jane jealousy, sexual tension these days, and it feels right. New beginnings are definitely a good place for new romance. I feel bad that Ardilles got killed in the end, but I did totally see it coming. My real fear was for Rigsby. Having no idea what his role will be on the show going foward, I was totally terrified he was about to get axed. Pathetically glad it didn’t happen. Can’t wait to see where this new mytharc is going. Bonus points for bringing back the creepiness in a big way, and for the little moment when Rigsby, even after two-plus years of being in digital security, still reaches for his gun in a moment of shock and panic. SCORE: 7.8/10

And the winner is…Castle, for giving my heart-strings a good, old-fashioned tug. 🙂

Obligatory Fangirl Squealing

First off, before I start, a MASSIVE fangirly “Thank you” goes out to my big brother and his family for loaning me their seldom-used VCR. Because of their generosity, I was not forced to choose between new episodes of Grimm and the final six episodes of Nikita, a decision that would have wounded my poor heart.

Now, on to business:

Soooo, a few interesting things have happened on TV since I last posted. And by “a few” I actually mean “a lot.” And by “interesting” I actually mean “OMG, is this the best season of television ever????”

Castle continues to rock Castle and Beckett’s relationship with style, always finding new issues to explore between the two of them so that things never get stale. The death penalty episode was intense, and the 3XK ep with the dead Esposito and Lanie look-a-likes was downright chilling. My favorite of the bunch, though, was the one about a dying man who staggers into a church and hands over an adorable baby before collapsing. Castle and Beckett changing a diaper together? Consider my heart officially captured.

Over on Beauty and the Beast, the conflict rose to new heights when a very pretty female beast entered the picture. The addition of Tori was a great way to keep things fresh and add a little more girl power to the show. Vincent is bugging the crap out of me right now with this whole beasts vs. humans shtick, making Gabe look more and more attractive (not that Gabe really needs help in that department). Gabe’s continued honesty and devotion to Cat – not to mention his knock-a-girl-to-the-floor handsomeness – are making it awfully hard not to root for a Gabe/Cat hookup. And speaking of hook-ups, did JT and Tess really lock lips? Interesting. Not sure yet if there’s chemistry, but it was definitely a cute moment between two unlucky-in-love characters. Can’t wait to see how the group’s dynamics change now that Cat’s father has officially gone down and Cat actually – gasp – shot Vincent in the process…

Marvel’s Agents of SHIELD had great fun with one of its special box office tie-in eps, an exciting romp about humans with objects they shouldn’t have, and a non-violent Asgardian on Earth. (I love that actor, too, so I’m super-glad they didn’t kill him off). The surprising May-Ward hook-up at the end was just one example of the wild curve balls this show likes to throw. We had some laugh-out-loud male bonding scenes in the ep where Fitz and Ward infiltrate enemy lines together, and numerous jaw-dropping, holy crap! moments in the thrilling mid-season finale. I still can’t believe the Centipede people took Coulson! And right after that, pretty much everybody and everything exploded! Talk about the mother of all cliffhangers… 🙂 No, actually, I’ll save that distinction for Supernatural’s winter finale.

Speaking of which: OMG. Seriously – O.M.G. That is the only way I can describe the most recent ep of Supernatural. It left me lying on the floor with my guts scooped out. Cannot believe they actually killed Kevin. Sweet, beloved Kevin. That final image of him is burned into my head in the worst way, proving that this show is once again at its very best. Metatron, an angel I still liked, even after he deceived Castiel, is now numero uno on my hit list. He will suffer and die for killing the prophet he was supposed to protect. Gadreel will die, too, but he doesn’t need to suffer quite so much – he seems like one of those lower-intelligence, easily manipulated angels. I still blame him for his appalling actions, but not as much as I blame Old Meta-Evil.

Shame that the highlights of this show usually tend to be the must soul-wrenching moments. It’s not always true, though, and before we had the wonderful awfulness of the winter finale, we got some true gems in the form of a born-again virgin episode with Sheriff Mills, and my absolute hands-down favorite episode of the season so far – an emotional, flash-back peppered ep about Dean’s stay at a boys home when he was fifteen. That ep, more than any other, will give me the strength to keep watching through the painful aftermath of Kevin’s death.

Chicago Fire is a good show to watch after Supernatural, because all the action and drama are a nice distraction from having your heart torn out. CF hasn’t had a single dip in quality yet, and I expect more of the same when it returns in January. The network’s continued faith in this “little show that turned big” makes me smile. They’re even giving it a spin-off now, focusing on the police side of the story. Way to go, NBC! 🙂 Lots of excitement in November and the first part of December, from political drama to roommate dilemmas to long-lost sisters, racial tensions, and rekindled romances. This show knows how to bring it in every way possible, and I am so totally hooked. The fact that they had a wonderful Severide-centered episode was chocolate frosting on an already delicious cake. I am a Severide girl, through and through, and watching him work so hard and long – by himself – to save that boy was enough to make this fangirl’s heart sprout wings and lift off into the sky.

Coming back down to Earth, I have to admit I haven’t been loving Elementary quite so much this season. I mean, don’t get me wrong, it’s still must-see TV and everything, but it just felt like something was missing. Sure we got some stellar eps here and there, including a gem focusing on Captain Gregson (adore him) and his troubled marriage. Overall, though, it just didn’t have the same feel as Season One, and I didn’t know why until the recent, gripping episode which detailed the events leading up to Detective Bell’s shooting.

And it dawned on me – that’s what’s been missing: an arc. Something to string the episodes together into a cohesive whole. Something to prevent Season Two from being a mish-mash of barely-related to totally-unrelated stand-alone stories. Sherlock’s road to recovery, and the Moriarty storyline, did this for Season One. And now we have the much-needed arc for Season Two: the fallout from Bell’s shooting. Sherlock’s guilt. Bell’s struggle for recovery. Gregson and Watson caught in the middle between these two characters. This storyline made me sit up straight and take notice. It made me excited to see what happens in the next episode. It gave new breath and life to Season Two, and I’m happily falling back in love with one of my favorite shows.

If there’s one show you can’t accuse of not having an arc, it’s good old Grimm. Try multiple season-long arcs, intricately interwoven. Nick’s still rocking the zombie powers, Hank has happily ditched the crutches and is back knee-deep in the action, and Monroe and Rosalie are so cute it should almost be outlawed. Having Juliette and Nick back together this season is also a bonus that adds a big old dose of happy to my Friday nights. Couple that with a delightfully different episode featuring mer-people, a really bad-@$$ old lady on neighborhood watch patrol, and a freaky exorcism, and, to quote several McDonald’s commercials, I’m loving it. 🙂

To make my Friday nights even more awesome, one of my all-time favorite shows, Nikita, returned on November 22nd with both fists swinging. As I sit there watching movie-quality explosions, quiet moments of unresolved feelings between Nikita and Michael, sparks flying between Alex and Sam, and a whole slew of girls kicking butt, I can’t help but wonder – for the millionth time and counting – why the CW is canceling one of the most stellar shows on TV. Seriously, what brain-sucking amoeba infected the top dogs at that network and made them say, “Hey, let’s cancel Nikita?” It’s one of those sad cases where a brilliant show is dumped in the world’s most heinous time-slot, and then left there to rot. Most people don’t know that Nikita even exists, never mind that they’re missing out on something spectacular by not watching it. **Sigh** But at least we got six final episodes, and so far, I’m the exact opposite of disappointed. I long for Nikita and Michael to find their way back to each other, for Sam to be redeemed, for Amanda to get what’s coming to her, and for all of our heroes to get the happy endings they deserve. Only two eps remain for all this to happen, and my fingers are crossed like pretzels.

And now we come to The Mentalist. Which, if I’m being honest, is probably the one most worth talking about, simply because of the dramatic changes taking place all across the board. Since I last posted, Patrick Jane identified Red John, murdered him, and fled the country. The CBI closed down, and two YEARS passed. (Time jumps – especially unexpected ones – always throw me like a football). Jane spent the time on an island with tough extradition laws, Lisbon became a small town Sheriff, Cho joined the FBI (which is cool, because it goes with a fic I’m posting), and Rigspelt started their own investigative software (????) company. (That’s just a guess – all I know is it had something to do with law enforcement and computers.)

In any case, it was a lot to digest in a few short weeks. It hurt seeing FBI goons dragging Jane’s brown couch away, and watching his favorite blue teacup smash to the floor. I think I knew then that nothing would ever be the same again. Change is hard, but in this case I think it was necessary. The Red John storyline had dragged on for too long, and it was pulling the rest of the show down with it. The future of The Mentalist depended on a fresh start, and the showrunners boldly wiped the slate squeaky clean.

But before they could do so, they had to wrap up Red John, as quickly and satisfyingly as possible. I like that Red John was not Bertram, who had an odd pleasantness about him that did not quite fit a serial killer. The Sheriff had a little bit of that manic gleam in his eyes that went a long way to convincing me that he could, in fact, be a homicidal maniac. I like that Red John’s death was slower and more drawn-out than the mall shooting. I like that he said he was sorry for killing Jane’s family, and that he was also afraid to die. I like the moments of genuine fear I felt when RJ ran right through a home with a family inside, and a yard where a little girl was playing. I like that Jane said he felt a little bit disappointed, because the writers knew the audience would feel that way, too.

After all those years of build-up, how could the moment ever live up to our expectations? For me, the only real letdown was that Red John did not seem to have any special connection to Jane, or any attachment to him. I did not get a sense of their relationship – Red John has saved Jane’s life numerous times, and also killed for Jane on several occasions, yet I felt none of that twisted “bond” when they finally met face-to-face.

Like I said, though, it never could have lived up to everyone’s expectations. I’m pretty happy with what we got, especially the emotionality of Simon’s performance in those final moments, almost turning the gun on himself, and then making the decision to live and be free. Amazing stuff.

And now we have The Mentalist: A New Beginning. Honestly, I felt so much more excited about the previews for the “New Beginning” eps than I did for the “Red John: Final Chapter” eps, and that alone told me how much I was ready for Red John to be over. I feel like the show can finally breathe. It was crippled and tied down, and now, at last, it can spread its wings.

Some people will probably hate the show’s new direction, but I, for one, can’t wait to see how far it will fly.

Up Next: The Race: Week Twelve – with most shows in reruns, the few left standing battle it out for the top spot!

And also: Great Reads, Volume One: Superhero Stories. As the title suggests, I’ll be sharing some of my favorite superhero tales – whether you’re a lover of original short stories or a fanfic-aholic, you’ll leave a satisfied customer.

Temporary Hiatus!

So sorry for the lack of, well, everything these past few weeks! I am participating in National Novel Writing Month for the first time ever, and it’s single-handedly devouring all of my time. Time I used to spend sleeping, eating, exercising, and yes, updating my blog! “The Race” (and other fan- and writing-related posts) will remain on temporary hiatus for the rest of November, but I promise I’ll be back in early December, ready to gush about all of the great stuff happening on TV. I’ll also most likely be giving an account of my sometimes-harrowing NaNoWriMo experience.

In the meantime, I assure you TV is the one thing I haven’t given up for my novel. The Race lives on in my head, even if it’s not being recorded on my flash drive! I’m happy to report that Supernatural won Week Six, with its clever (and just plain awesome) re-imagining of the classic Wizard of Oz. (I can still hear that witch hissing!) Week Seven went to The Mentalist for the raw emotion in the scenes between Jane and Lisbon, and S.H.I.E.L.D. took a very close second with a gripping-the-edge-of-my-couch-cushion, totally flipping intense storyline. Week Eight’s still in progress, and I can’t wait to see who comes out on top!

Stay tuned, and wish me luck in finishing 50,000 words of fiction by midnight on November 30! 🙂

The Race: Week Five

THE RACE: WEEK FIVE (October 21st-27th)

Monday

Beauty and the Beast (9/8c, CW) – Much to my dismay, I missed most of this ep due to a scheduling conflict. Lacking the help of my trusty VCR, I had to rely on the last 15 minutes to piece together what I’d missed, and it looks like I missed A LOT. Vincent apparently physically assaulted Cat, and she covered it up. Cat took a lie detector test and used extreme measures (antiperspirant on her FOREHEAD???) to protect Vincent. He returned the favor by faking a memory of the two of them and taking advantage of Cat’s excitement over said memory to weasel information out of her for his own agenda. Vincent rescuing Cat from atop the elevator while having a REAL flashback of their past was a powerful, breathtaking moment – but his end-of-ep sincerity was too little, too late. Considering everything he’s been putting her through lately, Cat was right to close the door – er – window on him. SCORE: Withheld until I can see the whole ep.

Castle (10/9c, ABC) – Best episode of Castle EVER? Maybe not, but it came darn close! I love, love, love (imagine fifty more “love”s tossed in there) time travel stories, and this one was sublime. I was riveted the whole episode, cherishing each new thrilling development, while simultaneously dreading the end of the ep, when the mundane “rational” explanation for everything would be revealed. But Castle outdid itself in a way I never expected – they left the ending OPEN. They let us believe that maybe these guys WERE time-travelers. They allowed – even encouraged! – us keep believing in wonky futuristic scanners, twisty-turny timelines, and Castle and Beckett married one day with three kids. It was dramatic, exciting, fun, and yes, a little bit chilling, too (when Beckett spilled the coffee at the end…**shiver**). This ep was a ride, and I didn’t want to get off. SCORE: 9/10

Tuesday

Marvel’s Agents of SHIELD (8/7c, ABC) – Scheduling conflict strikes again! Missed the first half, and apparently some majorly important stuff happened in those thirty minutes. This really is a show you can’t afford to miss a moment of – not if you want to have a clue what’s happening – and I found that out the hard way. As to what I DID see: Skye’s betrayal of the group hurt, but it seems she was betrayed, too. Scorch was a blast (literally) and the stuff about naming him earned several chuckles. The ending with Skye and Coulson was powerful and emotional, and I could only imagine how much more gripping it would have been if I’d seen the whole ep and knew the full context. As it was, I can only guess that this was one of the best episodes yet. SCORE: Withheld until I can see the ep in its entirety.

Supernatural (9/8c, CW) – Oh, poor Cass! Poor, poor, POOR Cass! Supernatural has always been a show that exemplifies the “show, don’t tell” storytelling technique, and this ep was a prime example. Every moment of Castiel’s homeless, cold, hungry, desperate misery was documented onscreen in painful detail, until I was shivering in the rain right along with him. Castiel’s relief at finally having a safe place to stay with food and friends filled me with warmth, as though I’d just eaten a hearty bowl of soup after spending hours out in the bitter wind. Dean kicking Cass out at the end was so utterly brutal. I wanted to cry. I can only hope the show understands that not allowing Castiel to stay at the batcave does NOT have to equal abandoning him. I was shouting at the screen in those last moments: “Give him your car, Dean! Give him some money, give him some food, give him keys to a hunting cabin somewhere! Call Garth to come protect him!” Bonus points given for pure emotionality, Cass getting “deflowered,” the sheer CREEPINESS of Sam unknowingly being inhabited by another creature, Jared rocking dual performances as Sam and Zeke, clever use of a TV evangelist character, and Zeke bringing Cass back to life. Points deducted for: continuing last year’s trend of making a class of once-mysterious and elusive creatures (Reapers) fully corporeal and dreadfully ordinary. They were SO much cooler when you had to be dead/dying/out-of-body to even see them. SCORE: 8.75/10

Chicago Fire (10/9c, NBC) – And the firehouse drama continues. My heart shatters every time I look at Shay. I give the show major credit for not quickly wrapping up the fallout from her devastating experience in the previous episode. I’m so glad New Guy (sorry, I haven’t learned his name yet) gave Shay some much-needed advice, but I’m not sure she’ll take it to heart. I don’t trust the photographer-lady Shay is hooking up with, and I have a feeling that camera will come back to haunt her. As far as Zoya’s green-card issues go – can’t blame a girl for trying! Who could resist falling for Severide? (Not me!) Matt’s doing great with the boys (kudos to the show for writing some realistic bonding scenes), and Mills’ Freudian slip made me cringe and cover my face. The Chief’s health news was very unexpected, and I couldn’t help but wonder how much of a role it played in his decision to retire. Also: Benny Severide as the new chief??? Can we say “BAD IDEA”? I await his reign with equal parts anticipation and dread. How is it possible to be charismatic and slimy at the same time? Somehow, Benny pulls it off. SCORE: 7/10

Thursday

Elementary (10/9c, CBS) – When Sherlock’s bored, you know there’s bound to be trouble! Loved him and Watson fishing for potential murder victims at the morgue. The platypus skull was cute, and Sherlock being the one who slept with Joan’s friend was downright HILARIOUS. Definitely my favorite twist of the episode. The case portion of the ep was a fun road trip with lots of dead ends and u-turns, but I am and always will be a “character girl,” so, as usual, Joan and Sherlock’s personal stories were what held my attention. SCORE: 6.5/10

Friday

Grimm (9/8c, NBC) – The end of last season was very slightly re-written – and for good reason. Last year’s finale basically had all of Nick’s friends diving into a car and ditching him to the tune of, “Nick’s a Grimm, he can take care of himself!” I thought that was pretty lame, so I’m happy the show chose a different route – even if it meant fudging the writing a bit. Here we had Nick’s buddies use the car as a means of searching the container yard. Rather than ditching Nick, they were trying to find him (while mowing down a few zombies in the process). As usual, this ep included several laugh-out-loud moments courtesy of Monroe, some hard-core action (do NOT mess with zombie-Nick), and the show’s trademark gross-out gore (dismembered hands and feet, anyone?). All in all, a fun one. They almost always are. 🙂 SCORE: 7/10

Sunday

The Mentalist (10/9c, CBS) – Welcome back, Creepy Ray! Welcome back, Visualize! The case of the empty-room struggle and the stretchy-band murder weapon disposal were cool, but they took a back seat to the more intriguing story of Cho’s love-interest-turned-stalker-turned-spy-turned-Red John-victim. (Try saying that three times fast). That lady definitely kept me guessing until the end. I’m sorry she got murdered, but at least she was able to convey some useful info. I don’t know how the team can assume that RJ was actually the one who hired the girl, though. He could have sent a minion to hire (and kill) her. Also, did anyone else think she was just repeatedly pointing to the location of the tattoo, rather than attempting to draw the actual image in blood? Then again, Jane’s instincts are better than mine, so the tatt probably IS three dots. Ray’s warning near the end seemed very dire – I thought he might be dead before the end of the ep, but it didn’t happen. Bonus points given for: Cho and Rigsby’s cute little fruitbowl scene, several satisfyingly complex mysteries, and a heart-pounding, edge-of-the-seat ending. Points deducted for: Cho’s sloppy questioning of the PI Lady. When’s my favorite interrogator going to learn to stop feeding information to the people he’s questioning??? You don’t say, “Who hired you? Visualize?” You just say, “Tell me who hired you. NOW.” Grrrrrr. SCORE: 7.5/10

And the winner is…Castle, for an exquisitely-delivered time-travel roller-coaster that made my fangirl heart swoon. Supernatural noses into a close second for continuing to deliver the kind of sharp, Kripke-quality eps that made me fall in love with this show in the first place. Kudos!

The Race: Week Four

THE RACE: WEEK 4 (October 14-20)

Monday

Beauty and the Beast (9/8c, CW) – Poor Cat! Vincent unties her, sleeps with her, and then ties her back up! How insulting. I don’t think she should’ve done the horizontal tango with him – at this point, they are essentially strangers. She must be REALLY desperate to jog his memory. Too bad it backfired on her. Vincent – if it’s even really him – seems attentive to Cat at times, yet completely indifferent to her at others. Huh. His violent freak-out at the end was well-done. I felt genuinely scared for Cat. I like how Vincent’s mission this time was to save someone, rather than commit another murder. Keeping the focus on Vincent (and whatever he’s up to each episode) is working well, and deleting the case-of-the-week element has definitely helped tighten up the show. Not sure what to make of Gabe right now. He appears to be sincere in his desire to help both Cat and Vincent, but I don’t think I can ever completely trust him. Looking forward to seeing how this new alliance works out. SCORE: 7/10

Castle (10/9c, ABC) – Castle as a hostage negotiator = awesome. This one had a good storyline. The stakes were high – especially whenever Castle was with the gunwoman – yet the trademark humor was present as well (“Cheeseburgers!”). The guest star was engaging and sympathetic. I fully bought her performance as a troubled, desperate woman, and I’m glad Castle and Co. were able to clear her name. As an added bonus, Beckett got her job back at the end of the ep. I just hope the show keeps up that sparkly-fresh feeling it established in the opening eps, and doesn’t fall back into a rut now that Beckett’s got her old position back. SCORE: 7.5/10

Tuesday

Marvel’s Agents of SHIELD (8/7c, ABC) – That eyeball thingy was bad-@$$!  During the surgery scene, I actually had to turn away from the screen – multiple times. Ewwwwww! But the good kind of “ew.” Like Sam’s eye getting scooped out on Supernatural. Great stuff. Aside from the heart-pumping action, we once again got to look deeper at Coulson and Skye, as well as some new characters. Bonus points given for the creepy dudes in red masks. A highly entertaining, well-balanced ep. SCORE: 8/10

Supernatural (9/8c, CW) – Cool restoration of Abaddon’s body! Also, I like her plan to have demons inhabiting soldiers and behaving like warriors. Seems like a smart move on her part. In contrast, bringing Crowley back to the Bat Cave seemed like a stupid move, especially given that Kevin is staying there. Wouldn’t one of Bobby or Rufus’ remote cabins have been more appropriate? If those weren’t viable, then at least Sam and Dean should have made sure Kev could not access Crowley. The King of Hell was able to play with Kevin far too easily. Also, Sam and Dean didn’t seem well enough prepared for walking into a demon trap – I fully expected Ezekiel to pop out and save the day, and sure enough, he did. Major points given, though, for how ragged Zeke’s wings looked when he emerged, Jared’s utterly convincing performance a the angel in Sam’s body, and Dean’s long-overdue speech to Kevin (just wish I knew if Dean really meant it…). Points deducted for Dean not even asking about their hunter friend who got killed, and no one making any attempt to bury/pay respects to the guy’s body. The whole group just sort of drove off in a happy mood, like the guy never even existed. This is not like Sam and Dean at all. Also, Tiger Mommy might be alive, and no one’s going to look for her? Shame on you, Dean! SCORE: 7.5/10

Chicago Fire (10/9c, NBC) – Talk about a raw and gripping episode. The show took brutally painful subject matter, and did it justice. My heart broke for Shay. I wished for her to confide in Severide, rather than letting the guilt eat her alive. Great exploration of how small, seemingly innocent gestures from one person can have a huge impact on another. I also like how Severide’s and Shay’s storylines paralleled one another, with each character trying to talk someone down, and neither one succeeding. The conclusion of the arsonist arc paled a little in comparison to the power of Shay and Dawson’s story. The contrast in how the two women handled the trauma was well-done and believable (though I kinda hate the way Dawson basically laid the blame on Leslie). Hated to see them fighting, when they normally get along so well. Loved the twist of Dawson’s scummy date actually being an undercover cop. SCORE: 8.5/10

Thursday

Elementary (10/9c, CBS) – Verrrry interesting storyline. Great glimpse into Sean – ahem – Sherlock’s boarding school days. The well-crafted plot-twists took a backseat to the emotional tales of three people who had suffered terrible abuse. Young Sherlock found his calling through correspondence with a killer, who eventually found her redemption by protecting another killer. Wildly complex, yet very satisfying. Bonus points for Sherlock’s warning to the murderer at the end, the scene where Sherlock confided in Watson, and Watson’s super-sleuthing with regards to the tattoo. SCORE: 8/10

Sunday

The Mentalist (10/9c, CBS) – Okay, my bad – the FBI guy’s name is Reed(e) Smith, not Agent Reid (guess I had Criminal Minds on the brain last week). I vaguely remember him from early Season Five. I think he was going to have a bigger role last year – possibly some type of romance with Lisbon? – but I guess the writers dropped that storyline. They dropped Cho’s rapid-response team/Tamsen romance storyline last year, too (or at least woefully underused it). Anyway, for the most part I had forgotten all about Agent Smith, until he popped up as one of the Red John suspects. I’m digging him now, though – he does clueless well, and evil even better. Tyger, tyger! Great to finally know Kirkland’s backstory, even if it meant losing the character. I’m assuming his twin was identical, and that’s why he kept asking suspects, “Do you know who I am? Have you ever seen me before?” Not sure why he killed the guy in the hospital last year, though – couldn’t Kirkland have used that guy to find Red John? Also, why did Kirkland assume his brother died? Red John has given people new identities before…In any case, this ep was exciting, informative, and all the better for not being bogged down by an unrelated case-of-the-week. Bonus points awarded for: Jane and Lisbon’s contrasting views on whether the fake suspects should be protected (when she said, “That’s the difference between you and me,” and Jane just smiled…so cute!), Rigs and Van Pelt’s newlywed subplot, concrete confirmation of Red John’s law enforcement network, a Minelli mention (yay!), and the return of Hightower (double yay!). Points deducted for: severe Cho neglect. SCORE: 8/10

And the winner is…

Chicago Fire, for a shocking, painful, and – above all – memorable episode.

The Race: Week Three

THE RACE: WEEK 3 (October 7-13)

Monday

Beauty and the Beast (9/8c, CW) – The Beast is back…but he doesn’t remember anything – even Cat! Cool way to create fresh tension and distance between two characters who arguably got together too early in Season One. I’m a sucker for amnesia storylines, but I’m not even convinced the guy we just met is actually the REAL Vincent. Why would his scar be gone? Maybe it’s the X-Files fangirl in me, but I think I smell a clone. Can’t wait to see what surprises await on this new season with a new showrunner! SCORE: 7/10

Castle (10/9c, ABC) – The excitement from the high-drama, two-part opener has waned somewhat as we return to regular procedural episodes. A fairly run-of-the-mill ep which still found creative ways to explore how Beckett and Castle are navigating their new relationship. Kudos to Castle for getting the DC apartment! Kudos to Beckett for not letting that girl get thrown to the Russian mafia wolves! My only wish: that Beckett had chosen to leave the job, rather than getting fired. SCORE: 6.5/10

Tuesday

Marvel’s Agents of SHIELD (8/7c, ABC) – Top-notch effects, as ever, but that’s old news. This is the episode where I started to get attached to the characters. I felt genuine compassion for Skye, and Coulson is fast becoming more endearing than he ever was in the movies. I get a sense of his gentle-yet-strong spirit, and his deep devotion to his mission and those working under him. Oh, and did I mention that Fitz-Simmons are completely adorkable? SCORE: 7.5/10

Supernatural (9/8c, CW) – I was on the edge of my seat before the premiere even started, mostly due to the fact that we almost couldn’t get the station to tune in. Thankfully, the television gods were smiling upon me, the rabbit ears tilted into position at exactly the right moment, and I sat back for an absolutely phenomenal episode of Supernatural. Loved the battle taking place inside Sam, as well as the one out in the real world. Loved Castiel’s subplot, and Dean’s extremely controversial choice to let an angel inhabit Sam. Arguably the least acceptable thing Dean has ever done to save Sam, and yet I totally bought it. Not out-of-character at all. Last season, much of the conflict between Sam and Dean stemmed from Sam’s OOC actions (not looking for Dean in Purgatory). Here, we have REAL conflict based on Dean’s IC actions. SOOOOO much better. If I didn’t know otherwise, I’d say Kripke was back. I truly cannot wait to see how this incredibly complicated storyline plays out. SCORE: 9/10

Chicago Fire (10/9c, NBC) – Another great installment. Points added for the intense confrontations with Hadley, the return of Severide’s difficult daddy, the bonding between Matt and the boys, and Molly’s Bar’s silent partner rearing his ugly head once more. Major points deducted, though, for the spoonful of cinnamon storyline. I cannot bring myself to believe any firefighter would even consider doing that “challenge,” much less promoting it on his webcast. SCORE: 6/10

Thursday

Elementary (10/9c, CBS) – Looks like EVERYONE is out to get Sherlock and Watson. Scary how fast a bunch of hackers can turn one’s life into a digital hell. The case was well-paced and fun, but, as usual, one of the quiet moments near the end is what makes this ep shine. Joan: “I shouldn’t be the only one who knows you.” Awwwwwww. Extra points for: Sherlock’s emotional reaction to Moriarty’s letter, Watson’s ever-sharpening sluething skills, and the mental image of Sherlock with a shoe on his head. SCORE: 7/10

Sunday

The Mentalist (10/9c, CBS) – The case-of-the-week plot: so-so. Benjamin in his little glasses: beyond adorable. Rigsby’s proposal: awesome! Van/Rigs wedding: Felt too quick. They should have been engaged for a few eps before we saw them tie the knot. Now I feel like something bad’s going to happen to one or both of them in the near future. I hate that feeling! One thing I did LOVE about the wedding, though: the other character’s reactions. Lisbon looked near tears. Jane was actually IN tears, so torn between great happiness and great sorrow that he couldn’t even bear to be in the room. And then there’s Cho, looking at his WATCH! LOL! Only Cho… 🙂 The Red John stuff was handled nicely, too – the Sheriff played it just right. You could tell the actor was having oodles of fun with the role. I like how they tested him to see if he was afraid of heights, even though Sophie said that might not be what RJ was actually afraid of. I wonder what the official name is for fear of birds? 🙂 Points added for Grace’s heartfelt speech to the bride-to-be, Jane’s thrilling rooftop adventure, and a happy wedding for two very deserving agents. SCORE: 8/10

And the winner is…

Supernatural! It went above and beyond all expectations, and delivered the kind of quality we haven’t seen in a looooong time. A+++++++++++++

The Race: Week Two

THE RACE: WEEK 2 (September 30-October 6)

Monday

Castle (10/9c, ABC) – Another dynamite ep. I’m probably alone in this, but I actually like it when this show does dramatic storylines as opposed to its usual comedic fare. Just like when Beckett was standing on that bomb last season, this one had me hooked. With Castle’s life on the line, I could feel the desperation of the agents scrambling to save him, the creeping concerns of his uninformed family, and Castle and Beckett’s own angst as the situation slipped steadily out of their control. Put all that together with a genuinely heartbreaking, totally believable case, and you’ve got a stellar episode of Castle. SCORE: 8.5/10

Tuesday

Marvel’s Agents of SHIELD (8/7c, ABC) – Still high-quality, with electrifying special FX. Not quite as funny as the pilot, but very entertaining. I wasn’t sure how this show would work without superheroes, but it seems to be chugging along just fine. Totally digging the all the movie references and tie-ins, from exploding people (as seen in Iron Man 3) to mentions of the Tesseract. And I can’t believe they actually got Samuel L. Jackson on there – that was awesome! SCORE: 7/10

Chicago Fire (10/9c, NBC) – Oodles more firehouse drama. I don’t know how they pack so much into each episode! The last thing Matt needs is the added responsibility of two troubled, traumatized young boys, and yet that’s what he got. That’s the way life works sometimes. Renee’s baby was, indeed, the product of a one-night stand. My heart broke a bit for her and Severide. He said earlier that it didn’t change anything between them if the baby wasn’t his, but clearly it did – she walked out, and he didn’t stop her. Oh, and to make things worse for everybody, Hadley, the prankster jerk from Season One, may be the arsonist targeting the firehouse. He sure didn’t deny it, did he? And what is up with Gabriella’s new love interest? Is she taking a break from heroes to fall for a bad guy? Much like CBS’ The Good Wife, Chicago Fire continues to effortlessly juggle numerous characters and plotlines without missing a beat. SCORE: 8/10

Thursday

Elementary (10/9c, CBS) – Very nice B Plot about Watson and the man she accidentally killed. I like the way Sherlock handled it, and the way Watson eventually played her hand. The ending moment between them was sweet. These two characters may not share that magic Jane/Lisbon or Mulder/Scully onscreen chemistry, but in quiet moments, when genuine affections are revealed, this relationship works. SCORE: 7/10

Sunday

The Mentalist (10/9c, CBS) – The hunt continues! I was pretty shocked that Red John left Lisbon there. I thought for sure he’d kidnapped her, and that we’d be going into a fast-paced end-game, climaxing with a Red John/Jane showdown. It seems, though, that the writers want to have a little more fun first. By painting Lisbon’s face like that, I think RJ was playing with Jane – warning our favorite mentalist that Lisbon will be dead before all this is over. Red John marked Lisbon as a future victim, and Jane was suitably freaked. His voice broke as he asked for water, and his hands shook as he desperately washed the blood from Lisbon’s face. A+ acting, A+ creep factor. This whole episode was definitely one of the eeriest Mentalist episodes to date, from Lisbon’s super-scary, blood-drenched nightmare to the numerous interactions she and Jane had with various suspects. Oh, and don’t forget about poor Sophie’s HEAD in the oven. Blech! I actually really loved how they used her as the source of Red John’s inside info – it was something I never thought of in all my theorizing, and it fits really well. I just wish her death had been more than a footnote, though. She was really important to Jane – she saved his life. Haffner whistling “Jimmy Crack Corn” certainly gave me a shudder, but I wouldn’t call him a particularly talented whistler – just average. And what is up with Bertram, the Sheriff, and Agent Reid holding a super-secret meeting? Maybe there is something to that “He is Many” idea after all. SCORE: 8.5/10

This week’s winner: A two-way tie between Castle and The Mentalist, who both brought their A games with top-notch performances and plots.

The Race: Week One

Fall is one of my absolute favorite times of year. Veteran TV series’ are awakening from their summer slumbers right in time to meet a pack of bright-eyed newbie shows, all pushing and shoving to achieve the coveted status of “hit.” Some of those poor fledglings won’t make it. Some will be cancelled unjustly – others, deservedly so. Some old favorites will fizzle and fade, while others will shine more brightly than ever.

But new or old, comedy or drama, sci-fi or police procedural, they’ll all have a fair chance to win over my fangirl heart. As the race heats up, no one could be more excited than I am to see which show will come out on top.

THE RACE: WEEK 1 (September 23-29)

Monday

Castle (10/9c, ABC) – Very strong opener, especially considering last season’s slightly under-whelming finale. (I ship Caskett as much as the next person, but a full ep of them talking to other people about their relationship status didn’t do it for me.) That said, this one worked. Beckett’s new job and the shifted dynamic between her and Castle gave the show a fresh feel. I like them as an engaged couple. Watching them not be able to investigate together was as frustrating for the viewers as it was for the characters. Kudos to the writers for realistically tackling the challenges associated with this complicated  long-distance relationship. Add in a whopper of a cliffhanger, and you’ve got a pretty flippin’ great episode. SCORE: 8/10

Tuesday

Marvel’s Agents of SHIELD (NEW) (8/7c, ABC) – Coulson lives! Been looking forward to this show since I first heard about it, and it didn’t disappoint. Likeable characters, a cool plot, plenty of super-charged action, and Joss Whedon’s typical quirky humor (I’m STILL giggling about that whole “poop with knives sticking out of it” thing). Half a point gets knocked off for a few unclear editing/writing moments, but overall it was a high-quality premiere, and I will definitely watch again. SCORE: 7.5/10

Chicago Fire (10/9c, NBC) – Smokin’ hot, as ever! So glad this one landed a great timeslot following The Voice – I always love it when a network recognizes and rewards quality. Chicago Fire has been must-see TV in our house since midway through Season One, the quality hasn’t slipped a bit in Season Two. The cast is beautiful and talented, and the storylines are engaging. I care about all of the characters on here, not just a few – and that’s rare for a such a large-cast show. This season’s opener picked up right where we left off, with even more complications emerging: An arsonist targeting Severide? And Renee’s baby might not even be his?? Meanwhile Game Day is trouncing Molly’s, Matt just got a load of unneeded guilt dumped on him (he DID buy drinks for those ladies), Gabriella and Shay both have romantic woes, Mills might still be thinking about trading uniforms, there’s a snitch in the firehouse, and Mouch is running for Union Prez. I’d say we’re in for a ride this season. SCORE: 8/10

Thursday

Elementary (10/9c, CBS) – Solid opener. The characters of Lestrade and Mycroft were different than I expected – in a good way. It felt realistic and complicated. I liked the dynamics each character shared with Sherlock. Bonus points given for a cool plot involving a dissolved plastic gun, the nice London scenery, and the part where Mycroft blew up Sherlock’s stuff. Interesting at the end to see Sherlock concerned about Lestrade. Watson: “Welcome to what it feels like to care about an addict.” Well said, Joan! SCORE: 7.5/10

Sunday

The Mentalist (10/9c, CBS) – Picking up right where we left off, on the trail of the ever-elusive Red John. It hurts to see Jane so frustrated! It hurts Lisbon, too – I can tell. She seemed pretty darn freaked out that Jane didn’t seem to know his next move. No excuse for her to betray his confidence, though – telling Van Pelt about the suspect list was SO NOT COOL. I kinda hate that the writers had Lisbon do that…Also kinda hate that the writers had her walk right into a situation that practically had neon signs all around it, flashing, “TRAP! TRAP! TRAP!” She’s smarter than that – and a better cop. If the Red John set-up would have been even a teensy bit less obvious, I could have forgiven the writers, but that was blatant to the point of unrealistic. That said, though, I did adore all the “alone time” Jane and Lisbon shared – even going out of town together, just the two of them! – and the serious Red John discussions between them. The writers are making Jane and Lisbon more like equals, rather than the parent/child dynamic they sometimes shared in the past. Not sure if the show is setting them up to be romantic partners or not, but if so, the writers are on the right track. Mega-points added for the pervading creepiness of the RJ investigation, a nifty stand-alone mystery, and the HUGE cliffhanger ending. Red John has Lisbon???? OH NOES!!! SCORE: 7/10

This week’s winner: The Mentalist, by a nose! Castle and Chicago Fire swoop in to take second and third. Despite not scoring the highest, The Mentalist storyline is one we’ve been waiting to see since the show began. It seems like they’re finally going to wrap up the Red John thing – something they should have done three years ago. I may not agree with every twist and turn, but I sure am thrilled that the writers are biting the bullet and putting it all out there. Here’s hoping they don’t hold back!

Mentalist Review: Episode 5×22 “Red John’s Rules”

Review of Episode 5×22: “Red John’s Rules”
by castiello

 

Previews are misleading. My favorite shows keep trying to teach me that, yet apparently I still haven’t quite gotten the message. The previews for this episode were brief and vague, focusing primarily on an image of seven smiley faces and a brief shot of Cho running. My mind quickly jumped to “Red Sky in the Morning” (multiple smileys in one place) and I have to admit I was a bit less than enthused. The Season Two closer was a decent episode, but they completely skipped over some of the most interesting parts, including Jane’s rescue from the warehouse. I worried that the Season Five finale might suffer from the same shortcomings. I worried that the team would be rushing around after Red John the whole time, and we’d miss the little character moments in between. I worried that I wasn’t going to love the season finale of one of my favorite shows.

Thankfully, all that worrying was for absolutely no good reason. “Red John’s Rules” is yet another example of underwhelming previews leaving me completely unprepared for a stellar episode that I would happily rewind and re-watch – repeatedly.

Jane: The character revelations…wow. I mean seriously, wow. We’re used to Jane strolling around, all buttoned up in his little vest, keeping his past and his secrets chained and padlocked inside his heart…and then we get an episode like this, where we find out so dang MUCH all at once. It feels like being in an avalanche. All these details about Jane’s life and his history and his most hidden thoughts just come roaring down the mountain at the same time, and I can’t help but be swept away. It was “Cackle-Bladder Blood” all over again. There’s a reason that episode’s in my Top Five, and probably my Top Three. I remember feeling amazed while watching “Cackle-Bladder Blood” – we had rarely seen Jane so raw, we had never seen him so open. He talked with Lisbon about his wife, his carnival days, his wedding. It took my breath away, and so did “Red John’s Rules.” What looked like an action romp actually turned out to be a dark and twisty character piece peppered with wonderful friendship moments as well as some genuinely disturbing psychological scares.

Who’s a happy fan? **castiello raises her hand exuberantly**

Okay, so, the avalanche:

We discovered that Jane’s “happy memory” is a little girl named Lee Lee Barlow, balancing on her father’s outstretched arm. We learned that he spent some time in the care of Child Protective Services (no surprises there) and it wasn’t good time. We found out that some carnie families, like Patrick and Alex, only keep up the “psychic act” around marks, while others, like the Barlows, present themselves as clairvoyant at all times. We saw that Jane actually can snooze pretty soundly, if he’s sleep-deprived enough (Did you see how cute and tousled he looked when Lisbon finally woke him up?) And we learned that Jane still refuses to believe that anyone – including Red John – could actually be psychic, no matter how creepy and convincing the evidence is.

Speaking of Red John: Jane has finally narrowed down his suspect pool to seven people. Nay, seven men. Early on, he eliminated women. Eventually, he also came to eliminate people he’d met before his family was murdered (Why???), and people he only had a brief interaction with (I repeat: Why???). So now it’s down to seven. Both Bret and Brett are on there, as well as weirdo Kirkland, William-Blake-quoting Bertram, freaky Visualize guy Hafner, and a couple of dudes who were probably in a few episodes but their roles weren’t big enough that I recognized their names. Still no way to know if Lisbon told Jane about Hafner’s Visualize membership and his possible presence at the red barn, but at least creepy Ray made the list.

Jane’s reaction to Red John’s message at the end of the ep mirrored my own feelings of spiraling defeat: Jane put all that work into narrowing down that list, and it may have been for nothing. Red John might not even be on there, and even if he is, he knows exactly what Jane knows. Red John isn’t just five steps ahead – he’s fifty steps ahead. Every time Jane thinks he has the advantage, the rug just comes flying out from under him. I felt that more in this ep than I ever did before. Red John has never seemed smarter or more powerful, and it left us with an angsty cliffhanger and the promise of a thrilling Season Six.

Lisbon: Jane didn’t want to tell her the suspects’ names because she would start acting weird in front of those people and end up tipping them off. He strengthened his argument by including a dead-on, laugh-out-loud impression of Lisbon trying to put on a front. Some great, much-needed comedy in an otherwise shadowy episode. I love the funny moments between Jane and Lisbon almost as much as I love the intense, serious ones. In this ep, we got beautiful examples of both. Each little Jane/Lisbon scene was like tearing the paper off a birthday gift – surprising and wonderful in equal measure.

Interestingly enough, Lisbon is willing to entertain the idea of Red John being psychic. On the one hand, it would be cool if the show went there. Jane is so utterly and stubbornly convinced that nothing beyond his understanding could possibly exist. It would be a humbling moment for him. A huge turning point for his character.

OTOH, a psychic Red John would be a bit of a cop-out. Like, the writers realized they had no other way of explaining how Red John knows what he knows and does what he does, leaving a supernatural explanation as the only remaining option. I’d like to see them at least try to figure out a way to piece it all together in a clever, compelling, and real-world-believable way.

So, Lisbon was “lying in bed, thinking about Patrick,” eh? I don’t think I’m going to touch that one. I’m sure the fanfiction authors are already having a field day with that, so I’ll just let the party continue. I will say this, though: I loved how Lisbon and Jane were both more concerned about the other person than they were for themselves after their very disturbing encounter with Sean Barlow.

Cho/Rigs/Van Pelt: Weren’t in it too much, but I have a hard time complaining about that when we got so many fabulous Jane and Lisbon scenes. I did have to snicker when Rigsby tried to confess his and Van Pelt’s relationship to Cho, only to have Cho be like, “I already know. You and Van Pelt are having sex.” It was so sweet when Rigsby felt the need to clarify that they are also in love – not just having sex. Cho seemed to have a small but genuine reaction to that. He is happy for his partner. Long live the bromance! 🙂

Sean Barlow: Successfully redefined the word “creepy.” Everything from his physical appearance, to his mannerisms, to his voice – not to mention all the stuff he said.  Seriously, I shuddered. Multiple times. Jane’s old friend said Sean Barlow might actually be Red John. After seeing the guy for myself, I am so not ruling it out.

Lorelei: It was eerie to see her again – like a voice from beyond the grave. I imagine Jane felt the same way. (Major points to the wardrobe people for remembering the bandage on her arm, btw.) The ease with which Red John got her back under his control is scary to the nth degree. She was totally complacent – almost contrite – as she followed her Master’s final instructions. I mean, sure, he had a gun pointed at her. Sure, she was trying to spare herself hours of pointless torture, but still…I got the feeling she would have cooperated anyway. That even with the knowledge of RJ’s involvement in her sister’s murder, Lorelei never did fully break free of his control. I also got the feeling that she was, above all, genuinely sorry.

Red John: Seems to know a lot of things he should have no way of knowing. Some things are explainable, if you dig deep enough. Other things, not so much. So, let’s focus on what we do know:

The Happy Memory: Red John appears to have stolen a memory right out of Jane’s mind. Something Jane never told anyone about. If Red John isn’t psychic, how is that possible?

Option 1.) Red John was actually present at the scene all those years ago, when Lee Lee’s dad was holding her up. He witnessed the happy moment right along with Jane. It was a happy memory for Red John, and since the two men are eerily similar in many ways, Red John knew that the memory would be significant for Jane, as well.

Option 2.) Hypnosis. Jane told Red John all about the happy memory, but doesn’t remember doing so. Jane and Red John were alone together in “Red Sky in the Morning,” a perfect opportunity for Red John to hypnotize Jane, extract whatever info he wanted, plant whatever suggestions he thought might be useful down the road, and leave Jane none the wiser.

By far the superior option, #2 goes a long way to explaining why Jane and Red John used practically the exact same phrasing when describing Lee Lee’s murder: Jane: “It’s as if Red John reached into my mind, took my happy memory, and killed it.” Red John: “I am going to take a happy memory, something you’ve never told anyone about, and I’m going to kill it.” Also, remember how twitchy Jane was after RJ had him in that Saran Wrap chair? For the first half of Season Three, Jane was flipping out whenever people touched his shoulder. Kinda reminds me of how cagey Rigsby was after that bad lady in “Russet Potatoes” (sorry, can’t remember her name – it was four seasons ago) turned him into a hypnotized minion. Rigs had no idea he’d been compromised, and the same could be true for Jane.

The Handshake: Red John knows what Lorelei said about the handshake, even though the words appeared to just rush out of her in a moment of anger. I didn’t think she even realized she’d said it. Neither did Jane. If she didn’t know she’d let something vital slip, how did Red John get that info out of her?

Option #1.) Lorelei really didn’t realize she made the slip, but Red John used hypnosis to take her back through all of her interactions with Jane, and she was able to recall accidentally revealing the handshake clue.

Option #2.) Lorelei is a great actress, and let the clue slip with full knowledge of what she was doing. She wanted to give Jane a little piece of the puzzle. Later, under Red John’s torture, she revealed to The Master what she’d done. (And he was “really mad.”)

Option #3.) Lorelei is a great actress who let the “clue” slip out on Red John’s orders. It was a false piece of info planted just to drive Jane nuts. Red John and Jane never did actually shake hands, and Red John is not even on Jane’s list of suspects. The Master gets the last laugh, as always.

The List: Red John successfully guessed every name on Jane’s list. If RJ can’t read minds, then how the crap did he do that?

Option #1.) Red John is actually that brilliant. He is actually that good at figuring out the inner workings of Jane’s mind. Starting with the handshake clue, Red John was able to comb through Jane’s history and select the candidates Jane himself would zero in on. (A highly unlikely scenario, bordering on impossibility.)

Option #2.) The names were easy to narrow down, thanks to a nice long gander at Jane’s private attic bulletin board. We know for sure that Kirkland’s people broke in, and others might have, too. Several of the suspects even work right in the building **cough**Bertram-and-Hafner**cough**. Even Jane knows that someone violated his space (thanks to the toothpick alarm), so he shouldn’t be too shocked that Red John has hijacked his research.

Option #3.) The names were planted in Jane’s mind by Red John himself, during the aforementioned Saran Wrap Chair Hypnosis Session. Everything – including Lorelei letting the clue slip – was part of an elaborate scheme to screw with Jane’s mind. Red John set this whole thing in motion years ago.

Final Thoughts: There are different kinds of finales. Some wrap up the season’s main storylines, giving viewers a sense of closure. Others dive headlong into edge-of-the-seat cliffhangers guaranteed to make fans tune in next fall. The very best finales, however, manage to do both – and “Red John’s Rules” lands squarely in this last category. The Payoff: After more than half a season of educated guessing and wild speculation, we are finally rewarded with the last seven names on Jane’s list. The Cliffie: Red John has decided to abandon a state of semi-retirement to become an active serial killer once more. He has issued a challenge to Jane, and the stakes have never been higher – or bloodier. I have no idea how many people will die next season, but one thing’s for sure: Jane and Co. are – and always have been – playing by Red John’s Rules.

 

 

 

 

Where there’s smoke…

Dear Readers and Guests:

You may have noticed that lately the updates to this site have been, well, nonexistent. Not to get all “dog ate my homework” on you, but I do have a pretty decent excuse for neglecting ATHF. Actually, it’s a really GOOD excuse: during the recent violent weather in the US, my home was struck by lightning and subsequently caught fire. The blaze was so bad, it took numerous fire crews almost three hours to douse the flames. No one – human or animal – was injured, but the damage to the structure was substantial. In the weeks since then, my whole family has been grasping for some sense of normalcy as we struggle to make arrangements for the near future and plans for the distant one. While I would never include my recent experiences on my top ten list of “favorite life moments,” in some ways the fire really was a gift, because it certainly showed me the very best that humanity has to offer:

As a woman I’d never met before ran over to take each cat from my arms as I carried them, one by one, out of the burning building, I marveled at the kindness of strangers. As a firefighter made trip after trip upstairs to rescue my birds, I couldn’t help but be amazed at the bravery of those who put their lives on the line every day. As my brother and his family sheltered and fed us, without question or hesitation, I knew that even though my home had just burned down and many of my possessions were lost, I was still the luckiest girl on the planet.

Right now, things are in upheaval. Very soon, that should change. And I just want folks to know that although the updates to this site might be sporadic for the next month or so, there WILL be updates. Whether I have home access to the Internet or not, I have no intention of abadoning this website. In fact, here’s a little sample of what I have planned for the next few entries:

Fan Stuff:

-Long overdue reviews of The Mentalist and Supernatural season finales (The Mentalist one is already 98% written!)
-Reviews of Iron Man 3 and The Man of Steel

Writer Stuff:
-Tips and resources for self-editing and taking critiques from others
-Rejection Letter Revisited (I’ll be posting one of my old rejection letters and discussing what I learned, and what YOU can learn from my mistakes!)

I want to thank everyone who has stopped by ATHF, both the one-time visitors and most especially the regular readers and followers. When I see that little “like” message, I know someone’s reading, and that makes it all worth it. 🙂 I appreciate your patience and support during this difficult time. The writer in me misses writing, reading, and submitting. The fan in me misses fan fiction and TELEVISION! (I don’t care if it’s reruns, I still need to see my shows!) Hopefully soon there will be time for all of these things. In the meantime, thanks for hanging in there.

Sincerely,
Gretchen