Winchester Woes

Okay, so it’s been over a year since the series finale of Supernatural aired. I’ve finally recovered enough to talk about it now…I hope.

Basically, the one thing I begged the writers not to do – kill off the main characters – they did. I’m sad that they chose to end it this way, because to me, a series finale should be a reward for the most loyal viewers – a “thank you” for sticking with the show through thick and thin. I don’t know about you guys, but my mom and I started watching in season one, so that is a whopping fifteen seasons of thick and thin. We had been watching so long that when details got changed in later seasons – like that suddenly anyone could see a reaper, or that some werewolves had the ability to “control themselves” (tell that to Madison from season 2!) – it was a little annoying. But even as the show declined somewhat in later years, and I no longer eagerly looked forward to every new installment, there was still joy to be found in each episode, and comfort in having these familiar, beloved characters in our lives.

When you’ve been a die-hard fan for that many years, saying goodbye is never going to be easy. I’ll admit that. And there was no way the writers could have possibly satisfied every single fan on the planet. I’ll admit that, too. But I do think they could have delivered something that would have appealed to a majority of the audience while keeping true to the spirit of the show. And this death-fest finale wasn’t it.

What I Liked

Unlike some fans, I did appreciate that the major storyline re: God and Jack was resolved in the second-to-last episode. The mytharc for Supernatural had gotten so crazy out-of-control after fifteen seasons (they fought every villain imaginable, up to and including Almighty God), that for me it was refreshing to return to the basics of the show we fell in love with in season one: two brothers, hunting monsters and saving people. I thought J&J really poured their hearts into the acting, and I felt like the writing was at least decent, with some deliberately repeated dialogue for parallel death scenes.

What I Didn’t Like

This episode aired during a global pandemic. We were literally surrounded by death, grief, and loss on all sides, in real life. And the writers thought the best way to end this series was by offering up another heaping plateful of sorrow, killing off some of the most beloved characters in modern television history. It’s like, really? Is this the nice dose of hope the world needed right now? Could you maybe read the room here, people? I don’t think I even cried. I just stared at the screen, and then stared at my mom, thinking, “WTF?” She looked back at me and said, “I hated it.”

I didn’t hate it, but it was such a far cry from what I wanted and hoped for that it hurt, nonetheless. I mean maybe the writers were trying to say something about the loss so many of us have gone through with Covid. Maybe they were reading the room, and offering a grief-stricken world a poignant blueprint for moving on after unimaginable loss. Maybe in ten years, I’ll look back and see it as the perfect ending.

Maybe.

What I Wanted

I wanted at least the option of imagining a positive future for the characters, rather than witnessing the end of both of their lives in painful detail. I wanted a sense of adventure for things yet to come. I expected some level of darkness or sadness, because it’s Supernatural, and that’s always been part of the show, but before now it never overshadowed the hope of two tough, scrappy brothers winning against impossible odds. I also wanted something different. Something we haven’t seen before. I’ve lost count of how many times the boys have died over the years. We’ve even seen both Sam and Dean “carry on” without the other before. Dean went off to live a normal life with Lisa and Ben after Sam fell into hell in “Swan Song,” and Sam got a girlfriend and a dog after Dean got sucked into purgatory. So, this was not new territory by any stretch.

Over the years, we’ve actually had several potential series finales. I don’t think there was really any guarantee that the show would be picked up again after seasons one, two, or three. Any of those finales could’ve been the final episodes of the show. The season two finale, “All Hell Breaks Loose, Part II,” is still my favorite episode of the entire series, and embodies all of the qualities I would’ve been thrilled to see in the series finale:

Wrap-up of major plotlines: Ding dong, the Yellow-Eyed Demon is dead! And Dean got to kill him! Yay! Also, their dad escaped hell, so they no longer have to torture themselves about where he is and what’s happening to his soul.

Not everything is roses: Dean only has a year to live before he dies and goes to hell, courtesy of a demon deal. Sam has come back to life, but may not be fully “himself” (the YED implies that Sam is either missing a part of his soul, or came back with some extra evil added in).

A new adventure awaits: A gate to hell has been opened, releasing tons of demons into the world. Ruh-roh!

Hope: Despite everything they are facing – a demon war, a one-year deadline for Dean’s life and soul – the brothers are alive and together and determined to fight the good fight.

This episode left me with tears in my eyes AND a grin on my face. What more could you ask for from any finale?

What’s Next

There’s been talk of a Supernatural spin-off for years, since way before the series actually ended. In fact, I think a few of the episodes were written as set-ups for potential spin-offs which never came to be. Most of the ideas pitched held little-to-no interest for me as a fan. I think one was going to be about Samuel Colt hunting monsters in the Old West (meh), and another was about a brand new character searching for his missing hunter father (deja vu, anyone?). The only one that sounded intriguing was “Wayward Sisters,” which would have followed the adventures of Sheriff Jody and her adopted daughters. Since we know and care about those characters, I think it would’ve worked. Also, a bunch of bad-ass female hunters kicking monster butt? Yeah, it could’ve been pretty awesome. As far as I know, though, it’s not going to happen. 😦

What is going to happen is a show called The Winchesters. When I first heard a brief description of this show, many months ago, I was excited. Like genuinely excited, in a way I hadn’t felt about Supernatural in quite some time. The gist of it was that Jensen and his wife Danneel were working on a Supernatural prequel that would focus on the early days of the Winchester family’s hunting adventures. I thought this was the best idea for a spin-off ever. Period. I have always loved the episodes that showed Sam and Dean’s younger years and the experiences they had growing up with a monster-hunter father and sleeping with guns under their pillows and having no one to rely on but each other.

I automatically assumed the new show, The Winchesters, would be focusing on Sam and Dean as teens, old enough to go off on their own and get in all kinds of trouble with ghosts, werewolves, and demons, plus have all the drama of high school, moving from place to place, living in crappy motels, and the ever-strained relationship with their dad.

To me, this would have been brilliant. We already adore the characters, and so much of their experience as teenagers is as-yet untapped. When I heard about The Winchesters, I actually felt like I got Sam and Dean back. My heart soared, and I (sort of) forgave Jensen for his misleading quote about the series finale (he said something like he wouldn’t be surprised if we saw these guys back on our screens in their beloved Impala sometime in the future) because I realized he might’ve meant a young Sam and Dean.

And then I saw the trailer for The Winchesters.

I think a part of me died that day. And not from joy.

The Winchesters is about Mary and John, in the early days of their relationship, hunting monsters together. Full stop. If you’re saying, “WTF?” right now, you’re not the only one. I would imagine everyone in the fandom had a similar reaction, because Mary and John never hunted monsters together. It didn’t happen. It goes completely against canon. Jensen and Danneel know this, of course, and were quick to assure fans that they have a plan to make it all make sense.

The only plans I can think of to achieve this would be some kind of memory wipe, an alternate universe, or time travel. In order to match up with Supernatural canon, the events in The Winchesters will almost necessarily have to be erased or forgotten at some point. Which begs the question: Why? Why do this show at all? Especially when they had a ready-made option that was infinitely more appealing AND required no rewriting of the canon whatsoever. That’s like ignoring a sack full of gold that’s sitting right in front of you and instead going dumpster-diving for empty beer cans. It will continue to mystify me for the rest of my days.

We never even got Sam and Dean back, and yet somehow I feel like we’ve lost them again.

I will give The Winchesters a chance, because it looks like a decent(ish) show. I don’t like Dean’s voiceover in the trailer, saying how Mary and John have always been this big mystery – I mean, after fifteen seasons of Supernatural, I think we found out everything about them that we really needed (or wanted) to know. I’m also not happy that the actors who played young John and Mary in the Supernatural time travel eps – Amy Gumenick and Matt Cohen (both of whom I really liked) – don’t seem to be in this spin-off.

But, in spite of everything…I want to like this show. I want it to surprise me. I want it to give me something the series finale didn’t: hope, and a stirring sense that the adventure is just starting anew.

Fingers crossed.

The Trailer

So…what do you think?

Avengers, Supernatural, and the Elusive Happy Ending

Endings are hard.

No matter what the circumstances – happy, heartbreaking, or anywhere in between – it is always difficult to say goodbye to something that’s been a part of your life for years, possibly even decades.

There are a lot of endings happening in my life right now. Just last month, I watched with a pang as James Holzhauer, who’d become a comforting Jeopardy! staple, finally lost to a fellow competitor. Less than a week later, I sat in a crowd of over a thousand people, a huge smile stretching my face as my oldest nephew graduated high school with honors. (A happy ending for sure!)

Sometimes we choose for things to end – like when we quit a horrible, soul-sucking job that was putting us on the fast track to Ulcer-ville. Other times, life makes the choice for us, like when fate snatches away a family member, or a beloved pet leaves us for good.

As I was walking out of Avengers: Endgame, I was thinking about the kind of endings we experience as fans of TV series, books, and movies. More specifically, I was thinking about what obligations the writers of a popular, well-loved franchise have to their fans.

As I left the dark theatre, cool air conditioning, and popcorn-scented air behind me following Endgame, my chest felt hollow – empty. Certainly not the way I wanted to feel after being a loyal Iron Man and Avengers fan for years.

I began to wonder: If I had been writing the story, what would I have done differently? If I’m ever lucky enough to have a series even half as well-loved as Avengers or Harry Potter or Game of Thrones, how do I want my fans to feel at the very end of it all?

In a word: happy.

I want people to close that last book with huge grins on their faces. I want fans to not walk but skip through that parking lot outside the theatre with their hearts full of hope. I want readers and viewers alike to feel satisfied, like the journey we took together led up to something wonderful. Something that tied up all the loose ends. Something that was every bit worth the wait.

With the 15th and final season of Supernatural looming, I’m trying not to think too much about the end and how hard it’s going to be. Avengers: Endgame may have broken my poor, Iron Man-loving heart, but Supernatural has the power to do even worse. The Supernatural writers could crush our souls as easily as Thanos could snap his fingers.

Let’s be honest: losing Supernatural is going to be devastating no matter what happens on our screens in the final moments. There’s no changing that. For me, it will mean saying goodbye to characters who were with me when my mom was in the hospital, seriously ill, and the doctors didn’t even know what was wrong with her.

These are characters I would quote to myself when I was scared or lonely or just plain sad. Characters who’ve made me burst out laughing and ugly cry (sometimes in the same episode!). Sam, Dean, Cass, Jack, Mary, John, Bobby – these people are real to me. They are family.

So, in this time of endings, I implore the Supernatural writers: be gentle. Most fans will be hanging by the thinnest of emotional threads as it is, so please don’t make it worse than it has to be. Don’t pull an Avengers: Endgame. Instead of dropping your fans’ hearts into an industrial-sized meat grinder, reward us for staying with you ’til the very end.

The finale doesn’t have to be some sappy, Log Cabin syrup-fest – that type of ending wouldn’t fit the show, anyway. But it should give some sense of hope…because that does fit the show.

No matter how bleak things got, as long as Sam and Dean still had each other, then there was always a chance. Leave us with that feeling. Leave Sam and Dean alive, and let us imagine that their next adventure is right around the corner, even if we won’t get to see it.

Please, please don’t break our hearts.

There’s enough of that in the real world.

11 Things Mentalist Fans Will Love About Forever

Yes, it’s true – tonight we will be bidding a final farewell to our beloved TV show, The Mentalist. Of course, Jane, Lisbon, Cho, Abbott, Wylie, Rigsby and Van Pelt will all continue to live on in fanfiction, fanart, and in fan-fueled discussions all over the Internet. But there will be no new adventures on our screens each week, no more watching Jane hypnotize a witness or piss off an arrogant suspect. Losing this show will leave a big, hollow pit in our lives, and while no other police procedural could ever completely fill that hole, there is one show that’s helping me cope with the loss. That show is Forever. I have fallen madly in love, and I think many Mentalist fans will feel the same way, if they give Forever a chance. And so, without further ado, I give you:

11 Things Mentalist Fans Will Love About Forever:

1.) That SMILE – You know that smile Jane has? Not the “I’m smiling as I envision your painful death” one, or the “I’m smiling but my heart just got ripped open” one, either. I’m talking about the one he does that’s just pure joy. The one that makes the sun shine brighter and the world spin faster and twittering cartoon birds land on your windowsill because it’s just that magical. You know that one? Well, Dr. Henry Morgan, the main character on Forever, has got one, too. When he smiles, it’s like he’s smiling at me. I can’t help but smile back. Happy chemicals are released in my brain, and my whole body gets the benefit. It’s a scientific fact – smiling improves your health. And on Forever, just like on The Mentalist, you’ll get no shortage of reasons to grin. 🙂

2.) The Chemistry – Whether as a romantic couple, best friends, or simply partners at work, it’s no secret that Jane and Lisbon crackle on screen. It’s a rare dynamic – to have the woman being the one with the gun, the one tackling suspects, the one kicking down doors. She’s a cop; he’s not. It’s a flip-flop of traditional roles, and it’s refreshingly wonderful to watch. Over on Forever, you have a very similar dynamic between Henry and Detective Jo Martinez – a not-so-tough non-cop tagging along on investigations with his strong female partner. Unlike The Mentalist, where Jane and Lisbon already knew each other in the show’s pilot, Forever gives us a chance to see this special relationship between its lead characters blossom from the very beginning. Henry and Jo lean on each other. They protect each other. They confide in each other and go out for drinks after hours. Their bond deepens with every episode, and the “will they or won’t they?” debates have already begun.

3.) Oops, Wrong Time Period – I don’t know if it’s his carnival background, or that he’s simply an old soul, but Jane has always struck me as a guy born in the wrong decade – or maybe the wrong century. He dresses in three-piece suits, calls airplanes “flying machines” and generally gives off a vibe that he’d be more comfortable using an abacus than a calculator. While Jane may be an old soul, in Henry Morgan’s case, the “old” part is literal. With his age at 200 years (and counting), it’s no wonder that Henry sometimes uses outdated terms like “vector,” dresses in a long coat and scarf, and carries an antique pocket watch. If you loved those little tastes of vintage charm on The Mentalist, you’ll be sure to love them on Forever, too.

4.) It’s All About the Team – From Day One, The Mentalist was never a one-man show. It was never just about Jane, but rather about him and his new-found family: Lisbon, Cho, Rigsby, Van Pelt, and even Minelli. In recent years, that family gained a few members – Abbott, Vega, and Wylie – but one thing didn’t change: the show was about them, too. Over the course of the series, we’ve met all three of Lisbon’s brothers, two of Cho’s girlfriends, Rigsby’s dad and Abbott’s wife. We’ve watched Van Pelt and Rigsby fall in love, get married, and have a child of their own. We’ve watched Wylie get up the courage to ask Vega out. And through it all, we’ve watched these characters stand by each other, protect each other, and comfort each other. Forever isn’t a one-man show, either. It is about Jo’s grief over her husband’s sudden death from a heart attack. It is about Lucas’ comic book obsession, Detective Hanson’s desire to shield his partner, and Lt. Reece’s nephew getting screwed over by the music industry. It is about Lucas gently placing a blanket over Henry’s shoulders in a moment of vulnerability and Hanson jokingly buying Henry a Speedo after one of Henry’s skinny dipping arrests. It is about a team of coworkers coming together as a family – and being there for each other, no matter what.

5.) The LOL Factor – One of my favorite aspects of The Mentalist is how much it makes me laugh. Whether it’s Rigsby talking with mustard on his face, Jane off-handedly delivering a MAJOR insult to some highfalutin know-it-all, or Cho simply giving a deadpan look, The Mentalist cracks me up more than most half-hour comedies. I’ve always said that the best dramas can not only make you cry, but can also make you spray 7up out your nostrils (which kinda hurts, because it’s fizzy). Forever is another one of those dramas that has it all. Lucas Wahl is guaranteed to elicit at least one guffaw in every scene, his antics ranging from dutifully sniffing a corpse’s stomach contents to gleefully playing the part of a murder victim in one of Henry’s reenactments, and Detective Hanson’s deadpan could rival Cho’s. If you’re looking for a well-rounded show with laughs, scares, joy and sorrow, look no further than Forever.

6.) Hello, World – In many ways, The Mentalist is a show about an isolated, deeply traumatized character slowly but surely rejoining the world of life. After his family’s murder, Jane had a mental breakdown. He lost everything, including his sanity. The series chronicles his painstaking journey to find something beyond revenge – to find a reason to live again. Jane gradually lets the other team members into his heart – he risks caring about them, even though it could mean huge heartbreak down the road. He learns to lie in the sand and surrender himself to the little joys of life. Although Henry’s family was not murdered, he has also suffered great losses – and is doomed to continue this cycle, as he will outlive everyone he ever loves, including his own son, Abe. The sharp tragedy of this makes it tempting for Henry to remain in his dusty basement laboratory (not unlike Jane’s little attic at the CBI – only with cooler stuff), cutting off humanity. Over the course of the season, however, we see other characters like Jo and Lucas drawing Henry out of his shell, getting him to join them for drinks, getting him to risk his heart again. He still hasn’t shared his whole self with them, and probably won’t for a good long while, but it’s a moment I wouldn’t miss for the world.

7.) It’s Like Talking to a Five-Year-Old – If you’re like me, you get a continual kick out of Jane’s “little boy” antics. His dramatic reactions to things, his hiding behind other team members when he’s about to get walloped, and above all, his playfulness. Who else would hop on a parked motorcycle and make fake revving noises? In all honestly, probably not Henry Morgan. But he does have a touch of that child-like spirit. Sometimes, he’s downright innocent. There’s a vulnerability to both characters that makes you want to protect them, to shield them from further pain. And Henry, much like Jane, has moments when he’s just completely filled with awe or wonder – or can’t resist horsing around on the job. In Henry’s case, his partner in the morgue, Lucas, tends to bring out the child more than anyone, and their romping reenactments of murders are as much a riot to watch as Jane impersonating God on a megaphone.

8.) Wait, That Was Evidence? – Patrick Jane’s crime-solving methods are unusual…to say the least. Dr. Henry Morgan also has his own “quirky” way of doing things. Jane steals an iPod out of its evidence baggie and uses it to jog a witness’s memory. Henry takes a damaged vintage audio tape (which happens to be evidence in a homicide) to his home and BAKES it. In his OVEN. Whatever their methods, these guys get results. The only real difference between them is that Jane has never (and probably will never) care very much whether a District Attorney’s ability to prosecute a case is damaged by his hijinks during the investigation. Henry, OTOH, is quickly learning what “chain of evidence” means and how important it is not to tamper with it.

9.) Foreign Delights – You know how sometimes, when Simon Baker says certain words, his delightful Aussie accent slips out? If you’re like me, you wait for and thrill over those little moments, and the curious way he pronounces certain words, like saying Tereza instead of Teresa. Well, one of the many awesome things about Forever is, you DON’T have to sit around waiting for little flashes of accent to pop out here and there. You can enjoy Ioan Gruffudd’s wonderful Welsh brogue in each and every episode, from start to finish.

10.) Move Over, Sherlock – Jane’s incredible powers of observation stem from his mighty mental fortress. Henry’s come from over two centuries of studying every aspect of humanity. Either way, you get the joy of watching a detective who notices even the most minute details – and can use those details to colorfully flesh out the story of the crime. I love a great mystery, but what I love even more is a great investigator. Especially one who doesn’t shy away from sniffing corpses. 🙂

11.) The Big Bad Wolf – For years, Jane had a formidable nemesis in Red John – the shadowy figure who loomed over everything, was responsible for murdering Jane’s family (and countless others), outsmarted Jane at every turn, and seemingly could not be caught. Red John episodes always got my heart slamming, my teeth grinding, and my butt perched on the very edge of the couch. These were the episodes where something happened. Where the core storyline of the show moved forward. Much as I enjoyed the filler eps, the Red John eps were what I looked forward to most. If you’re a fan of shows with great mythology and compelling baddies, look no further than Forever, where Dr. Henry Morgan’s chief enemy – and occasional ally – is a creepy, 2,000-year-old fellow immortal named Adam. He hasn’t killed any of Henry’s loved ones – yet. But the threat is always there, and his murderous, psychotic nature is not in question. Nor is his keen intelligence, honed over thousands of years of life. And his downfall may prove even more difficult than Red John’s, since Adam can’t die, and his supernatural existence would make traditional prosecution near impossible. Intrigued? I know I am! 🙂