Just to start off: I am a major Monk-aholic. I’ve seen every episode at least twice, plus read most of the excellent tie-in novels by Lee Goldberg. So naturally, I was thrilled to see an advertisement on Peacock for a brand new Monk movie. I watched Mr. Monk’s Last Case on the day it released – December 8th – and I’ve been wanting, maybe needing, to talk about it ever since.

The first thing fans need to know is that this movie has an underlying tone of despair which was not typical of the original series. I noticed by chance in the upper corner of the screen that one of the warnings on the film was for suicide. I frowned, thinking this might be an unintentional spoiler for the case Monk would be investigating. Not so.

The reason for the warning quickly becomes clear in the movie’s early scenes. Mr. Monk is not doing well at all. In fact, he is deeply depressed and planning to end his own life.

When last we saw Adrian, he was euphoric from finally solving his wife’s murder, and happily building a relationship with his newly-discovered step-daughter, Molly. But more than a decade has passed between then and now, and times have definitely changed. Over the course of the movie, we learn it’s not one big thing causing Monk’s depression, but rather a series of events and feelings that have all chipped at him over time.

Most of his loved ones have scattered and moved away, including Natalie. Monk is no longer working as a police consultant, and the only people he regularly interacts with are Molly, Dr. Bell, and Trudy (in the form of ghostly visions). Monk’s social isolation is sharp and palpable.

The pandemic dealt his mental health another crippling blow, causing a resurgence of his agoraphobia as well as cranking up his OCD to unbearable levels. Although Monk lived to see the other side, he never truly recovered from the trauma of being that afraid for so long.

There’s been much talk about how we all came out of the pandemic psychologically worse for wear. Whether or not you got the virus, whether or not you personally knew someone who passed away, we all have scars. No one came out of those years unscathed.

But there hasn’t been as much discussion about how it affected the people who were already struggling with demons like depression, germaphobia, isolation, etc. before Covid, how much worse it was for them. By now, most of the world has moved on, but there is this forgotten group of people who physically survived, but never fully came back. In some ways, I am one of them.

I appreciated that the movie talked about this, and using Mr. Monk as an example was the perfect way to explore the issue – a beloved character who is already well-known for his mental health battles, so we’d easily be able to understand just how hard everything hit him.

Monk’s suicidal intent is the dark current running beneath the rest of the plot, which features many of the character returns and emotional moments fans will be expecting.

The regular gang reunites for this adventure, including Stottlemeyer, Natalie, Randy, and Dr. Bell, all portrayed by their original actors. Trudy’s spirit plays an important role here, just as she did in the series, and Sharona appears in a flashback, so she is included as well.

The only recast is Molly, originally played by Alona Tal (aka Jo on Supernatural). Not sure why they cast a different actress for the film – possibly they wanted someone with a more easy, free-spirited vibe? – but it shouldn’t bother people too much as Molly’s only appearance on the original series was for probably about 60 seconds in the last episode, and the new actress, Caitlin McGee, does a great job.

The movie hits all the right beats for a typical Monk story:

• Randy presents an outlandish “theory” about the case, complete with an equally ridiculous visual aid.
  
• The Randy Disher Project gets a hilarious shout-out.
  
• Adrian plays his clarinet (incorrectly identified in the closed captioning as an oboe).
  
• Stottlemeyer grumpily disagrees with Monk about the prime suspect.
  
• Monk gets to say his classic, “He’s the guy.”
  
• Natalie and Monk team up to investigate, resulting in numerous car crashes and lots of hysterical screaming (Monk being the screamer, of course).
  
• The bad guy looks like he’s going to get away with it.
  
• Monk gets that smile on his face when he finally solves the case, closely followed by, “Here’s what happened…”

Another highlight was the introduction of the new, cooler-than-cool police captain, Lisa Rudner, who obviously knows a valuable asset when she sees one. She makes it very clear she wants Monk to return as a consultant. Although Rudner isn’t in this first movie that much (yes, despite the movie’s “last case” title, I would be surprised if they didn’t make another one), her brief scenes show that she cares more about getting justice for victims than about politics or appearances – a sharp contrast to Captain Stottlemeyer in his early days, when he hated having Monk called in on a case because it might make the captain and his officers look incompetent.

Overall, the mystery is not the most complex or well-written one in the history of the series, and there are a few plot holes I won’t get into here to avoid being spoilery, but emotion is the true engine of this story, and the movie has that in spades. From the devastatingly personal nature of the case to Monk’s private battle with depression, there is more than enough substance here to elevate the storyline to the status of a movie as opposed to just a super-sized episode.

Despite the many wonderful comedic moments, the sadness is what stayed with me most, so much so that when I walked in on my mom watching an old Monk episode the other day, my heart twisted at the knowledge of what is to come for this character, what he will have to endure before finally coming back into the light again.

And, yes, Mr. Monk does survive the movie. But not because one of his friends runs up at the last moment to knock the pills out of his hand. Despite Monk’s cryptic comments throughout the movie, and the concerned looks he gets from Natalie, Molly, and even Stottlemeyer, no one seems to know exactly how close he is to ending it all, and that’s scary.

Monk’s psychiatrist has a better idea of what’s going on than anyone else, and there’s an extremely touching scene that brings them both to tears (me too). But no matter how many people tell Monk he is loved and needed, it just doesn’t seem to sink in.

And as desperately as I wanted someone to get through to him, to shake him and yell at him and tie him down until he finally listened, in the end the decision to live comes from within Monk himself. I think it has to. The way it happens is sweet and special and I won’t spoil it, but it is worth seeing – just like the movie itself.

Honestly, I don’t know if it will hit most people as hard as it did me. It’s all about what you’ve been through, and what you’re going through right now. I’ve known three people who’ve taken their own lives, so this movie dredged up a lot of that old pain. For viewers without that personal history, it might just be like a regular Monk episode. For others, it might be too hard to even watch. Graphic images of Monk hoarding and counting out prescription sleeping pills, opening a high-rise window as if to jump out, writing goodbye letters to all of his loved ones – these could be triggers for people who are already on the brink.

In the end, I think it was an important movie exploring the after-effects of the pandemic on those who were already in crisis. It made me want to listen to “Hate Me” by Blue October. It made me want to check up on the people in my life. It made me want to check up on myself.

If you’re reading this, and you’re feeling some dark thoughts, I hope this movie inspires you to reach out for help. Or reach inward, as Monk does, and see the value you bring to this big, scary, wonderful world and the people in it. A value only you can bring.

We’re never as alone as we think we are, and neither is Mr. Monk. (Keep watching past the credits, and you’ll see what I mean.)

Stay safe, take care of each other, and have a Happy New Year.

~G