New Writing Contest: Horror in 100 Words

One of my writing group members told me about this contest over the weekend, and it sounded so cool, I just had to post it on here! This is a flash fiction contest for stories 100 words or less, and each story must somehow tie into one of two themes: Creation or Destruction. All stories must be scary (it’s a horror contest!), and any given author is allowed to submit only one story per theme. The top ten stories will be posted on the Horror Novel Reviews website to be judged by readers. Winners in each category will be awarded fifty dollars via PayPal, and the best stories may even be published in an anthology. Sound cool? Go check out the details:

Enter Our New Contest, ‘Horror: Told in 100 Words’ to Earn Some Cold Hard Cash and Publication!

Personally, 100-word stories have never been my strong suit.  Matter of fact, anything under 500 is not really what I consider myself good (or even competent) at writing – but that’s why I love it! I want the challenge! I want to get better at writing those super short-shorts! So, I am definitely in. I hope you are, too! Dial up the spook factor, and send in your submissions before the deadline on September 30th.

May the best creepy stories win! 🙂

Keep writing!

-Gretchen

Call for Funny Fantasy Fiction

Hey, who doesn’t like a little alliteration? 😉

And who doesn’t love a hilarious fantasy story that makes you spray Pepsi all over your computer screen?

Unfortunately, although fantasy/humor is one of my all-time favorite genres, it doesn’t seem to get a whole lot of love from the publishing industry. Fantasy is supposed to be a long, epic journey filled with really evil dragons and sword fights and heroic deaths…right? So, if you’ve written a funny story about a disgruntled warlock, it can be doggone hard to find someplace to submit it. (Believe me, I’ve looked).

That’s why I was so thrilled to discover this new anthology that is specifically looking for funny fantasy stories: Alternate Hilarities 3: Hysterical Realms. My first thought was, “They’re already on number three? How did I not find this sooner??” Alternate Hilarities 3: Hysterical Realms is currently open to flash fiction (500-1,500 words) and short story (1,501-6,000 words) submissions. They pay half a cent a word plus one share of royalties for flash, one cent a word and two shares of royalties for short stories, and all authors get a copy of the E-book. They’re also planning a Kickstarter campaign to increase author payments and hopefully fund a print edition of the book.

The deadline for submitting to this anthology is July 31st. So what are you waiting for? Dust off that warlock story, polish it up, and send it in!

Looking for even more places to send your laugh-out-loud fantasy tale? Try Unidentified Funny Objects (you’ll have to keep an eye on their website to see when they’re opening up to submissions for their next anthology). Also, Every Day Fiction loves humor in all of its glorious forms, and Andromeda Spaceways Inflight Magazine is one of the few mags known to favor fantasy and scifi stories on the more lighthearted end of the spectrum. The Magazine of Fantasy & Science Fiction  is another option, as their guidelines state a continuing need for humorous stories.

All this talk about funny fantasy stories got you in the mood to guffaw? Go read “Letter to the Editor” by Joshua Brown. I guarantee you’ll be wiping Pepsi off your monitor. 🙂

-Gretchen

 

New Story in Chicken Soup for the Soul: The Cat Did What?

So, it finally happened. That thing I’ve been dreaming about, striving for, and working my behind off to accomplish for the last several years. A few days ago, my story, “The Greatest Gift,” was officially selected for publication in the upcoming book, Chicken Soup for the Soul: The Cat Did What?

Thus, on August 19th, 2014 (that’s THIS year!), my writing will appear in print for the very first time.

Believe it or not, it’s actually hard for me to write those words. As a shy person with Asperger’s Syndrome, self-promotion is probably the most difficult aspect of writing I’ve faced so far. The way I was raised, you don’t brag about yourself and your accomplishments – you just plain don’t.

And yet, when you’re a writer, you almost kinda have to.

It’s just the way of the business. I know this. I accept it. But still I’ve continued to cling to my shyness like it’s my old, faded-blue security binky. Hardly any of my friends know that I am serious about writing. I think only two of them are aware that I’ve been published before. If you’re wondering how many of them know about this website, that number drops to one. For some reason, telling strangers about my writing life is actually easier than telling the people closest to me.

It’s not that I don’t WANT to tell my friends. I do! I fantasize about it, imagine their reactions, and feel my pulse-rate go up a few notches. But when I finally see them face-to-face, my courage always seems to scurry away like a spider trying not to get stepped on. I keep my head down, and when my friends ask what’s new in my life, I just smile and say, “Same old, same old. Nothing interesting here.”

But now, this book is coming out, and it’s a BIG deal. It’s my chance to show this really awesome publisher – and potential future ones – that I can successfully promote a book and generate some sales. With dreams of getting my novels published some day, I can’t afford to stay in my shell. I plan on attacking this challenge with the aggression of a hungry Grizzly Bear – seeking out opportunities for book signings and media coverage, using every connection I have, and yes, telling my friends and family about my story’s publication.

(Even if it means blushing furiously and ducking my head while I do it.)

Whatever results I get – positive or otherwise – you guys will be the first to know. 🙂

When Formatting Attacks…

“Your cover letter is beautifully written, but it needs some different formatting – the punctuation marks come out as strange characters!”

This frightening message came to me in an email from a family friend. She had graciously allowed me to send her a copy of my cover letter, so she could give me feedback before I sent it on to a publisher. I thought she might make a few tweaks here and there – change a few sentences around, nothing major. I never expected her to tell me that my cover letter looked like alien symbols and gibberish!

Soon after this exchange, I came across an article detailing what happens to the formatting of a Microsoft Word document when you Copy and Paste it into the little “Compose” box of your email. To sum it up: bad things. VERY VERY Bad Things can happen when you C&P from Word into any web browser.

Luckily, I had sent this most recent cover letter to a friend first. But I’d already sent more than a dozen email cover letters in the past, without any idea that even though they looked perfectly normal on my screen, they looked dramatically different to the person receiving them.

And all this time, I thought I was doing a good thing by composing them in Word. I didn’t want to just dash off some sloppy cover letter right in my email. I wanted to pre-write the letter, perfect it, and print it off so others could read it and edit it for me, even if the letter was only five measly sentences.

(Side note: Just to be clear, sending an attachment in MS Word is totally fine. If you’re sending a story or even a cover letter as a .DOC or .DOCX attachment, it should look exactly as it’s supposed to, as long as that’s the format requested by the publisher. The problem only occurs when Copying and Pasting something from MS Word into the body of your email, be it a letter or even a whole story (yes, some publishers want your whole story in the body of the email).)

The solution:

There are several simple things you can do to make darn sure the content in the body of your email looks exactly as you intended. The easiest way is just to directly write your message in the “Compose” box of your email. This is the method I now use for very short cover letters and other succinct messages. For longer content, however, this would not be practical. (Who wants to re-type their whole 6,000-word zombie pirate adventure?) In the case of longer material, I would recommend Copying and Pasting from Word into Notepad, and then from Notepad into your email. (You will have to go through and redo all the italics, bolds, etc. in your email if you choose this method, because that formatting will be lost in Notepad.) The final safeguard: send the email to yourself or a friend before sending it to a publisher. You want to start off that writer-publisher relationship on the right foot – not the ugly alien foot with sixteen blue toes!

Last note: I wrote this post with full knowledge that most people are already completely aware of this issue. In fact, most people reading this post probably think I’m an idiot for not being aware of it. Nonetheless, for that one person who might not know, for that one poor soul who’s about to unwittingly send out an important query letter filled with wing-dings and squiggly lines, I decided to put this out there.

Hope it helps!

Keep writing and submitting!

-Gretchen

Reflections on NaNoWriMo

First of all: I did it! Woo hoo! I met my goal! 🙂 Well, kind of. I wrote 50,000 words of fiction in thirty days, which was the main challenge. Unfortunately, the 50,000th word did not neatly coincide with the end of my book. So technically, I can’t claim that I wrote a complete novel in one month – which would have been awesome. Nonetheless, I feel like a winner. 🙂

A Crazy Idea

Last year, writing 50,000 words in a month seemed crazy and unattainable. I didn’t even consider participating. This year, things felt different. I felt different. Early in the spring, I started flirting, only semi-seriously, with the idea of going for it.

Then came the story idea. I was reading my copy of Chicken Soup: Inspiration for the Writer’s Soul (which, incidentally, features a wonderful story by one of my very own writing group members!) and this awesome plot just came to me. I knew right away that it was too involved to be limited to a short story. I also knew that I was too busy with other projects at that particular moment to write it. But November, aka National Novel Writing Month, was only seven short months away… 🙂

A Rude Awakening

By the end of May, I was strongly committed – in my own mind, at least – to writing my novel during the NaNoWriMo craziness. Little by little, I was figuring out who the characters were, how they related to one another, and how the plot would unfold. The more planning I did, the more excited I became. Then, on the very last day of May, life took an unexpected, high-speed turn: a bolt of lightning struck my parents’ farmhouse, destroying the place we had called home for over a decade.

No humans or pets were harmed, which is the only thing that really matters. But many of our possessions were lost, and the house itself was not habitable – both of which put a major strain on our day-to-day activities. For weeks, just getting through my chores, getting to work, and getting back to my brother’s house (where we were given every amenity and kindness you could imagine) took all the strength I had. Writing every day became a dim memory. Writing once every two weeks or so became the new, discouraging norm. And NaNoWriMo, that precious promise I had made to myself, started to look like it was never going to happen.

Rebuilding

They say time heals all wounds. I don’t know about that, but time did, at least in my case, make things better. Although we could not move back into our home, we were able to move back onsite, which eliminated the grueling back-and-forth travel time that was eating up all of my potential writing sessions. I began to produce stories again, and my heart sang like an un-caged canary. Little by little, November, and everything it stood for, started coming back into focus.

No Excuses

Of course, as with any plan, there were some complications. The biggest one was our estimated move-in date: Thanksgiving. Moving back into our house at the very end of NaNoWriMo seemed like a recipe for failure. I would be scrambling to finish a 50,000-word novel while simultaneously attempting to pack up and move my belongings, clean out our temporary house, and make sure all of the pets felt settled and safe in their new/old home. I hadn’t yet told anyone in my family about my planned NaNo participation, and the timing was a big reason why. They would think I was nuts! That, or, they would tell me not to do it. (I think I was more afraid of the second thing.)

Nonetheless, my commitment continued to strengthen throughout August, and by the end of the month, I’d made my decision: I didn’t care what the move-in date was. I didn’t care what anyone said. I wasn’t going to let the fire – or anything else – be an excuse for giving up on something that important to me. I was going to do it.

Breaking the News

So, you’ve decided to participate in National Novel Writing Month. What are you going to do next? Break the news to your family and friends that you’ll be uncommunicative, tired, grumpy, stressed, and pretty much constantly on the verge of tears for thirty straight days. Sound fun? 🙂 Not really, but it has to be done.

I told my mom, first. I told her in that soft, hesitant voice I always use when I’m saying a secret out loud for the first time. It made me sound weak, even though I wasn’t. I was strongly committed, and by mid-September, Mom was coming to terms with my decision. I asked her quietly for support, and she said she would give it. By the time that month’s writing group meeting came around, I was ready to make my announcement.

To my surprise, though, somebody else beat me to it – right near the start of the meeting, one of my group members asked, “Is anyone doing National Novel Writing Month this year?” My hand shot into the air so fast I could feel the breeze. My group member told me she’d already signed up online. She also told me some of the official rules – like, that I could have an outline for my story already written, and that I could also write character descriptions prior to November 1st. Just no actual prose. Now, I had a writing buddy to conspire with, and a new short-term goal: get my outline and character descriptions charged up and ready to launch by the first day of November.

Buckling Down

At home, I languished over the physical, mental, and emotional details of each of the characters who would populate my novel. Two new characters sprang to life unexpectedly, one of whom became vital to the story. I basked in the joy of his discovery. At writing group, I used our October session to hand write a complete outline for the novel – something that I never enjoy doing, but am always, ALWAYS grateful for later on. I also took the time to think about my weaknesses as a writer. I narrowed the list down to three main things that I wanted to improve on during the writing of my NaNo novel: writing better character descriptions, using all five senses to describe scenes, and keeping up a fast and exciting pace throughout my story. Having all that “grunt work” out of the way only made me that much more excited to start writing.

Near the end of October, I took the final step. Maybe the biggest one of all. I signed up online as an official participant in National Novel Writing Month. Finally, after months of hoping, dreaming and planning, there was only one thing left to do: wait.

Galloping Out of the Gate

There are several things that helped me succeed in reaching my NaNoWriMo goal. The most important one, I think, is that I LOVE my story idea. I could not wait to write it. I physically ached at having to hold myself back. In the weeks prior to November 1st, my excitement grew to the point where I felt ready to pop like a pin-stuck helium balloon.

Another helpful element (though this was not entirely intentional): I had not written any new fiction in months. That’s right, MONTHS. Since April, I’d been focused on writing and submitting a series of non-fiction stories for the Chicken Soup books. And, much as I love all the unique challenges of writing non-fiction, fiction is where my heart truly lives. And by November, my heart was starved for it. My heart was shriveled and barely beating, it needed fiction so bad. So when that starting gate finally opened, and I sat down for that very first writing session, my heart swelled back to life, and my fingers flew. I easily made my first day’s goal of two thousand words, and by Day Five, I’d exceeded ten thousand.

Writing With Wild Abandon

One of the challenges of NaNoWriMo is that you’re supposed to write with wild abandon. I really think I embraced this…on Day One. I threw myself into the story and told myself not to delete anything, not to go back and edit, to just set the words free and keep going. It was the only way I thought I’d be able to reach 50,000 words.

When I reached my Day One goal so easily, though, I started to think, maybe, just maybe, 50,000 wasn’t going to be so hard, after all. By Day Four, I was pretty much back into old habits. I spent extra time fussing over the perfect adjective. If something didn’t sound right, I went back and rewrote. The result: my writing sessions got longer and longer each day, even though I was producing the same number of words. I was trying to create a better product, but it definitely cost me.

If I had managed to hold onto that carefree style of Day One, I might have completed more than just 50,000 words by Day Thirty – I might have completed an entire novel. There’s more to it than just length, though – I had an opportunity to try something bold and new with my writing, and instead I retreated back into the warm safety of my comfort zone. I wrote, for the most part, as I have always written. Whether my novel is better or worse because of that is something I’ll never know.

Obstacles

Of course, if NaNoWriMo was easy, then it wouldn’t be considered a challenge. After essentially breezing through the first week of writing, the stresses and commitments of real life – work, school, family events, chores – started to take their toll. I also began to feel the fatigue associated with my long-@$$ writing sessions. Family members lost patience with me for interfering with their daily schedules, and I began to wonder if it was all worth it.

By mid-month, I’d completely abandoned the two thousand words per day quota, and had simply written a few new goals on the calendar: 30,000 words by November 21st, 40,000 words by the 25th, 50,000 by the last day of the month. If didn’t matter that I was no longer meeting my daily goals – as long as I could dig deep and reach the goals written on the calendar, I’d still make it. And, as a matter of fact, I did reach the 30,000 mark on schedule. But somewhere between 30,000 and 40,000 my new system fell apart. I did not hit 40,000 on the scheduled day. Or the day after. Or the day after that.

Desperation began to creep over me like cold egg yolk. I started getting up crack-of-dawn early to hammer at my manuscript. It helped somewhat, but with a special family gathering on Thanksgiving, plus work the day before and the day after, my word-count deficit continued to grow. When I woke at six a.m. on Saturday, November 30th, I still had over 6,500 words left to write – and only one day to make it happen.

Race to the Finish Line

6,500 words in under eighteen hours seemed impossible. Seriously, climbing Mount Everest was looking like a more realistic goal at that point. Never mind that I couldn’t even spend all of those hours writing – my chores weren’t going to go and do themselves. I got my farm work done as quickly as possible and settled in to write. And write. And write. I chipped away at my word count in little chunks, writing for as long as I could bear it before checking the numbers again.

Sixty-five hundred gradually became six thousand, then fifty-five hundred. My back started to ache, and I got up to walk around every hour or so to prevent blood clots. My dad’s 13-year-old laptop became so overheated that it took several long moments to respond to commands. But it wasn’t crapping out entirely, and neither was I.

When I reached the two thousand word mark, I had a decision to make. I knew I could finish, but it would take several more grueling hours of work. By the time my word count reached 50,000, it would be too late to drive to someplace with Internet access and upload my novel to the NaNoWriMo site for validation. And I really REALLY wanted validation. Like, SO bad. I had given up so much for this. Time, energy, food, sleep. My mom had grudgingly watched hours of TV on mute so I could work. And now I wasn’t even going to get my prize for finishing?

It was a hard pill to force down, and I admit, some dirty thoughts entered my head. It would’ve been easy to tack on a few previously-written short stories to the end of my novel, drive to McDonald’s, and use their wi-fi to upload my “50,000 words.” But doing so would have wasted time – time I needed in order to finish writing my 50,000 – for real – by midnight. So, I could cheat and get my prize, or I could let go of the prize and keep the commitment I made to myself.

In the end, I guess it wasn’t such a hard decision after all. At a little after 11:30pm on November 30, 2013, after nearly eleven hours of continuous writing, my novel’s word count read 50,005. Proud and exhausted, I announced to my mother I had done it, backed up my work on my flash drive, and let my dad’s poor decrepit laptop have its much-deserved siesta.

Life After NaNoWriMo

The first thing Mom said to me, after “Good job,” was “You are NEVER doing this again.” Initially, I agreed with her assessment. It was a wonderful and unique experience, but it definitely didn’t come free. All of the things I let slide for a whole month came back to haunt me with a Ghost Of Christmas Past vengeance. It was overwhelming, trying to make up for lost time in other areas of my life. Reality bites, and sometimes it’s rabid. I’m STILL not all caught up on everything I neglected last month.

But I do have to admit, as things start to calm down and normal life filters back in, that a part of me actually misses those crazy-long writing sessions. I miss galloping through the set-up portion of my book and diving headlong into the action. I miss watching my story grow like a Chia Pet on fast forward. As difficult and insane as NaNoWriMo was, it did something for me that no one or thing had ever done before: it gave me permission to put my writing first. For thirty whole days, I got to say “yes” to my novel and “no” to almost everything else. Dictionary.com should write a new definition for “liberating.”

I’m still working on my NaNo novel, but progress these days is slow. Like, glacier-mates-with-a-snail slow. Before NaNoWriMo, I would have been happy with writing four or five hundred words a week. Now, I know just how much more I am capable of. And it might be nice to push myself like that again someday, to really crack down and get things done. So, yeah, now that I’ve had a few weeks to recover, I’d totally consider doing NaNoWriMo again. No question.

Just, uh, don’t tell my mom…

Temporary Hiatus!

So sorry for the lack of, well, everything these past few weeks! I am participating in National Novel Writing Month for the first time ever, and it’s single-handedly devouring all of my time. Time I used to spend sleeping, eating, exercising, and yes, updating my blog! “The Race” (and other fan- and writing-related posts) will remain on temporary hiatus for the rest of November, but I promise I’ll be back in early December, ready to gush about all of the great stuff happening on TV. I’ll also most likely be giving an account of my sometimes-harrowing NaNoWriMo experience.

In the meantime, I assure you TV is the one thing I haven’t given up for my novel. The Race lives on in my head, even if it’s not being recorded on my flash drive! I’m happy to report that Supernatural won Week Six, with its clever (and just plain awesome) re-imagining of the classic Wizard of Oz. (I can still hear that witch hissing!) Week Seven went to The Mentalist for the raw emotion in the scenes between Jane and Lisbon, and S.H.I.E.L.D. took a very close second with a gripping-the-edge-of-my-couch-cushion, totally flipping intense storyline. Week Eight’s still in progress, and I can’t wait to see who comes out on top!

Stay tuned, and wish me luck in finishing 50,000 words of fiction by midnight on November 30! 🙂

Dark Markets and New Stuff!

I am always eager to pass along anything that might help new writers get published, so I was especially giddy when one of my group members pointed me in the direction of Dark Markets. It’s a market database specifically for all manner of horror and dark fiction, and as a bonus, it’s completely free-to-use. I’ve only had a couple minutes to poke around the site, but the layout is beautiful, and the listings seem really up-to-date. If you’re a writer of creepy-crawly tales, this might be the perfect place to find potential homes for your work.

In other, semi-related news, I’m hoping to compile all the links I’ve shared thus far into a single, user-friendly list. Knowing how things go around here, it’ll probably take a while, but in the end you’ll be able to quickly locate any link I’ve mentioned in any of my posts without having to slog through a slew of old blog entries. Sound good?

In other-other news, I’m introducing a new series of weekly TV reviews called The Race. Instead of focusing in-depth on only my top two shows, I’ll be taking a brief look at all of my favorites, declaring a new “winner” each week. Be on the lookout for short reviews of The Mentalist, Supernatural, Elementary, Castle, Beauty and the Beast, Nikita, Chicago Fire, and Grimm, among others. At the end of the season, only one show will be crowned Best Overall.

One more thing to look forward to on ATHF: Fiction Recommendations! I’m just brimming with awesome fan fiction and original fiction to share, all written by extremely talented authors. I only recommend the best, so I hope you’ll take the time to read the pieces featured here. 🙂

All the best to my fellow fans and authors! Thanks for reading!

-Gretchen

Rejection Letter Revisited

The following is a personalized rejection letter I received from Every Day Fiction back in 2011. You might be asking yourself why I’m publicly displaying my failure. The answer: I learned from it. Someone in my writing group learned from it. And maybe – just maybe – you can learn from it, too. At the very least, it can be a comforting reminder: Rejection happens to everyone – not just you.

Dear Gretchen Bassier,

Thank you for your submission to Every Day Fiction. I regret to inform you that we are unable to use it at this time.

Very competent prose here, and I liked the buzzing of bees metaphor that you used throughout for Allison. The switcheroo was obviously a nice twist, especially in light of that fact that the attributes given to the other “patients” were all very reasonable and dark-edged when the roles were reversed. This is a close story for me, because I like the twist and enjoyed the flow, but I wanted something a little more from it. I wanted the twist to lead to some other plot development, such as figuring out what was behind the locked doors (the wail from beyond was a foreshadow begging for more). This doesn’t go much further than introducing the switch and then ending, giving it a “first chapter” feel.
— Joseph Kaufman

The prose is pretty solid, except I noticed a typo at the very end with Brute instead of Bruce. The author sets the stage nicely, and this has a very cool Shutter Island sort of feel to it. That said, I’m concerned that this plot has been overdone and that it won’t feel fresh enough to our readers.
— Sealey Andrews

The story was well told and gave the reader many things to be curious about. I liked the imagery in the piece and the use of figurative language in the beginning of the story with the bees. Though I’m left confused- I’m not sure what has happened at the end and think it would need to be played out better for the reader to understand. I get the feeling it is some kind of twist- but I don’t know what the twist was.
— S. A. Ross

Great introduction that really draws the reader in. This story has some good description, too, and the beehive metaphor works.
While the initial dialogue is useful in a show-don’t-tell sort of way, it’s not very unique. This story could start shortly before the forbidden door appears with just a quick summary.
But then things get interesting! Bruce is terrifying and poor Shiri has issues. The perspective totally flips.
This ends up nicely.
— Shelley Dayton

There’s sometimes a fine line between stories that challenge readers preconceptions (which done right, are good) and those that seem to be set ups for trick endings. Here it’s “they’re not really staffers, they’re patients!” The other readers are mixed on this; my feeling is that this one isn’t quite what we’re looking for. I’ll send it along for a final opinion.
— John Towler

Well written with interesting characters, but I’ve seen this twist before (and the reverse of it too, that the “patients” are really staffers), and since the point of the story seems to be the twist itself (rather than character development or a plot beyond the twist) it left me slightly flat.
— Camille Gooderham Campbell

Breaking It Down

As you can see, there are six different critiques in this rejection letter. A six-critique rejection letter is highly unusual, and I think it speaks volumes about EDF’s commitment to helping writers – especially new ones – succeed. I’ve yet to encounter another magazine where every reader takes the time to write detailed comments on every single piece submitted. To this day, it still amazes me.

The reviews are, as one editor mentioned, very mixed. Almost every reader had a different reaction to the story. If you look closely, however, you can see two common threads: 1.) Several readers had seen this plot twist used before, and 2.) There wasn’t enough substance to make the story complete. These are the main two reasons that the story was ultimately rejected – lack of originality, and lack of change.

Re: Lack of Originality:

I once heard a published novelist say that book editors claim to be looking for fresh material, but they’re really not. Novel publishers want something safe. Something proven. Something that will sell. Otherwise, it’s too much of a gamble. And that makes perfect sense – for BOOKS. Short story publishers, on the other hand, are a completely different species. When it comes to short stories, fresh, edgy and innovative are all the rage. Magazines can afford to push boundaries and try new things because there are typically multiple stories per issue – if one particular story flops, there are plenty of others to make up for it. Many mags actually have lists of plotlines and character types they see too often. Read these lists carefully. Read ‘em and heed ‘em.

Re: Lack of Change:

This is exactly what I was talking about in my post The Whole Story. I said I had rejection letters to prove my point, and now you’ve seen one of them. A story isn’t a story without change. Characters need to grow. Stuff needs to happen. There’s only one magazine I know of that doesn’t require a complete story. I think it’s called Vignettes, and I’m pretty sure my story didn’t even qualify as one of those. Remember: A twist ending, on its own, does not a story make.

Hurts So Good

The awesome thing about getting a personalized rejection is that you know exactly why your piece didn’t make the cut. The sucky thing about personalized rejections: you know EXACTLY why your piece didn’t make the cut. Gone are all the little lies you try to tell yourself about why your undeniably incredible story somehow got rejected. No more “Maybe the slush reader just got dumped by her hot boyfriend” or “Maybe they only read the first paragraph and didn’t really give the story a chance.” It wasn’t the slush reader, and it wasn’t an unfair partial reading. It was the story.

That said, not all of the news was bad. They didn’t say I was a crappy writer, just that this particular story didn’t work. In fact, you may notice that most of the readers followed the feedback guidelines I talked about HERE, including positive comments to balance out the criticism. Some nice little nuggets for me to cling onto until the rejection-burn wore off.

And this one did sting – I remember just feeling frozen as I sat there reading the letter for the first time. Kind of crushed, actually. I took it personally (which it never is) and became defensive, wanting to explain some of my creative choices, like the reason I included the handshake scene, or that fact that the “typo” was actually intentional. I had the letter all planned out in my head. I can’t tell you how pathetically grateful I am that I never actually wrote or sent it. Besides being unprofessional and sounding like a whiny two-year-old, it would have accomplished nothing except to annoy the people who spent valuable time trying to help me. Above all, it would have damaged any future chances of being published by the magazine. Thankfully, the intelligent portion of my brain took charge, and I wrote a simple note thanking the staff for their detailed comments.

Now that I’ve had a bit more experience with the submission-rejection cycle, the big “R” isn’t such a troubling thing to find in my inbox anymore. I just sigh, feel bummed out for a few minutes, and then move on. Every now and then, there’s one that I can’t quite shrug off. Usually it’s only when I a.) really thought I had a good chance, b.) really love the magazine, and/or c.) don’t have many/any other submissions out there. I can’t do much to curb a.) and b.), but c.) is an easy fix, and there are a few other things you can do to minimize your trauma and handle the big “R” like a graceful pro:

Some DOs and DON’Ts

DO stagger your submissions, making sure you have several pieces out to several different mags (I like to call this “Keeping Hope Alive”)

DO let yourself feel a little sad about rejection, especially if your hopes were up, BUT,

DON’T EVER act on the urge to defend your work to a publisher who’s already said “no”

DON’T get your hopes TOO high (if you can help it)

DON’T obsess over waiting for one particular result – learn to let each one go and move on to the next project

DO write a “thank you” note if you are lucky enough to get personalized feedback (UNLESS the magazine’s guidelines discourage it)

DO send the same piece to five different markets at once (if they all allow simultaneous subs), but…

DON’T send the same piece to eighty different markets all at once – after the first wave of comments comes in, you may want to make changes before sending the piece out again

DON’T get so caught up in submissions and rejections that you forget why you started writing in the first place

And, above all, DON’T let rejection stop you. If writing is in your heart and your blood and your dreams, then YOU ARE A WRITER. Use criticism to feed your fire, not douse it. Try, fail, learn, get better.

Keep writing.

-Gretchen

Writer, Edit Thyself

Self-editing. Some days, it’s a pleasure – like sharpening your brain’s claws on some rough, craggy tree bark. Other days, it’s pure torture – you can feel every slash of the red pen as though it’s a scalpel ripping at your flesh. One thing’s for sure, though: no matter what kind of day you’re having, self-editing is an important part of getting a piece ready for its journey out into the publishing world. So here are a few articles to make the process less painful, more productive, and – yes, I’m going to say it – more fun.

The first article, “The 7 Deadly Sins of Self-Editing,” comes from the highly-useful archives over at Writer’s Digest. Reading about these common self-editing pitfalls can help you identify your weaknesses when it comes to your own writing – and maybe, just maybe, learn to overcome them.

As far as my own self-editing experiences go, I’d have to say that “Gluttony” probably tops the list. Sometimes, I fall in love with a fancy bit of phrasing or a long, flowery paragraph that simply has no place in the story. Sometimes, the thing that needs cutting is the scene that was the inspiration for the whole chapter, or even one of my precious cool things. It’s hard for me to cut those things, even when I know I should. That’s why, in addition to self-editing, I also rely on outside readers for valuable feedback. My writing group doesn’t know or care how many hours I slaved over a particular paragraph. All they know is that the paragraph breaks up the flow of the story, and needs to be removed. When I see that fat red Sharpie “X” scrawled across the section in question, my heart can finally accept what the back of my brain knew all along – and I can, with one last wince of hesitation, finally hit the delete button.

The second article, “Picture Books: Plan, Polish and Publish,” comes from children’s author Dori Chaconas. She takes you through every step of the creative process, from the initial birth of an idea, all the way to the final polishing of the story prior to submission. Chaconas shares her own personal strategies for self-editing, complete with wonderfully-vivid “before and after” examples. She demonstrates how to refresh boring clichés and really make your language sparkle with originality. She shows you how to trick your brain into thinking you’re reading your story for the first time (and not the fiftieth), and even discusses her policy on accepting criticism from her writing group.

I came across this article years ago and instantly saved it on my computer because it was just so chock-full of useful strategies and tips. It was written as a guide to picture book writing, but the bulk of the information applies to all forms of writing, and authors in any genre will be able to find something to take away from this excellent piece.

So, go forth and read! Take notes! Copy and paste! Figure out what your self-editing weaknesses are and how to overcome them. Learn how to take a seed of an idea and turn it into the most original, sparkling and polished story you are capable of writing.

And then…submit it :).

Worst Story Ever Written

We all know that it’s a good idea to read good stories and figure out what makes them so compelling. Ninety percent of the time, that’s what you want to be reading – stuff that’s so unbelievably awesome that you hope the writer’s skills will actually rub off on you somehow. But, from time to time, it’s also beneficial to read a really bad story and analyze exactly what makes it so darn unreadable. If you can determine what caused you to give up on a novel after only ten pages, you can hopefully avoid making those same errors in your own writing. It’s a great way to sharpen you editing claws, stretch your critiquing muscles, and improve your own writing, all at the same time.

Sounds good, right? Now, all you need is a story to practice on. A really bad, really horrible story. And I happen to have the perfect one. A few years ago, I read what is quite possibly the worst story ever written. It’s so completely awful, that it almost comes around full circle and becomes good. Seriously, you will cringe when you read it. You will roll your eyes and think, How in the heck did this thing ever get published? In the end, you won’t know whether to laugh or weep at the sheer wretchedness of it.

You probably think I’m being mean, talking like this. You probably think I’m ignoring the whole “support other writers” spiel I gave in my constructive criticism post and being a total hypocrite. I’m not. The reason: This story was written badly on purpose. The author, who is actually very talented, takes basically every single mistake that would make an editor twitch, and crams them all together into one hilariously groan-worthy short story. It’s absolute brilliance, and a super-handy guide for what you should NEVER EVER do when you’re writing a short story. Or a long story. Or a novel. Or anything.

So, go check it out, and try to find every example of awfulness you possibly can in this piece that can only be described as bad writing at its very best. 🙂

http://www.everydayfiction.com/the-most-epicly-awesomest-story-ever-by-randy-henderson/

Enjoy, and keep writing!

-Gretchen