Writer’s Markets

So, you’ve written a story…

You’ve polished it, you’ve let someone else read it, you’ve listened to that person’s comments and polished it some more, and finally, after wiping the sweat from your brow, you’ve printed out the final draft. Now, only one question remains, and it’s a biggie:

Where the heck do you send this thing?

I don’t know about you, but for me, one of the biggest frustrations of being a writer is simply not knowing where to send my work. Whether it’s a flash-length piece, a short story, a poem, a non-fiction essay or a novel, I want to give my writing the best possible chance of getting published. To do that, I need to know what publishers are out there, and what types of material they’re currently accepting. Lucky for me (and you, if you’re a writer, too), there’s a super-cool, FREE site that can give us all of that info (and much, much more) in just a few clicks:

https://duotrope.com/

There are many free writer’s market listings on the Internet – most are hopelessly outdated, some no longer functional. Duotrope is the exact opposite: a continually-updated, constantly evolving and extensive database with an easy-to-use search tool that can help you find the best home for your work, no matter what you write. They track response times and acceptance rates, and even let you organize your search results according to what matters most to you (highest pay rate, highest acceptance rate, etc.). It is a beautiful, well-organized site that currently lists 4,527 markets for fiction, non-fiction and poetry.

The only other reputable writer’s market listing I know of is called (prepared to be shocked) Writer’s Market. They release new print books each year, their titles ranging from the standard, all-in-one Writer’s Market, to other, more specialized books for people specifically interested in children’s writing, short stories, novels, poetry, etc. These are great books packed with useful info, including examples of good and bad query letters, contest listings and tips on the writing process. Only trouble is, they’re kind of expensive. For those like myself, who are perpetually cash-strapped, a more affordable option would be to check if your local library has the latest editions of these books in stock (many libraries do).

The website WritersMarket.com is another option. An online extension of the books, this site lists many more markets than can fit in the standard 1,000+ pages of the print edition of Writer’s Market. The website should also (theoretically, at least) be more up-to-date. However, WritersMarket.com, like its paperback companions, is not free. They do offer a seven-day money back guarantee, though, so I guess you could take it for a trial run and see if you like it – if not, refund time!

There’s only one thing you need to be careful about, and this goes for all of the books and sites mentioned above: you must always, ALWAYS, check the home website of whatever publisher/magazine/agent you’re submitting to, BEFORE you submit. DO NOT rely solely on the information you find on Duotrope or in Writer’s Market. These databases are starting points only. In the publishing industry, things can change quickly, and information gets outdated faster than you can snap your fingers. The magazine you’re submitting to might have hired a new editor since the database was last updated. The publisher you’re eyeing for your new fantasy novel might have just stopped accepting fiction. Don’t put the wrong name on that envelope. Don’t send your sci-fi story to a non-fiction magazine. Do your homework.

If you didn’t know where to start, hopefully now you do. So, what are you waiting for? 🙂

Supernatural Review: Episode 8×07 A Little Slice of Kevin

Review of Episode 8×07: A Little Slice of Kevin
by castiello

Overall: Top Ten Signs That You Just Watched a Kick-@$$ Episode of Supernatural:

10.) Exploding Prophet

9.) Sam speaks Latin

8.) Dean opens up about what’s bothering him

7.) Cass busts out his wings

6.) A sign in the background reads: “Caution: Sharp Edges. Keep Fingers Clear.”

5.) Kevin checks out a witch’s butt

4.) Tiger Mommy is back

3.) Cass is back, too!

2.) The brothers act like brothers who actually care about each other

And the number one Sign You Just Watched a Kick-@$$ Episode of Supernatural:

Holy Water Super-Soaker.

‘Nuff said.

Dean: He was actually honest about seeing Cass on the road and in the window. Dean opened up to Sam and told him what was going on. How impressive is that? We finally got to see how Cass got left behind – in Dean’s version of events, Cass gave up and let go, and Dean was already inside the closing portal, unable to go back for his friend. Seems Dean’s been torturing himself over whether there was any opportunity to reach back through and grab Cass a second time before the portal closed for good. Dean thought he failed Cass by not holding on tighter or finding a way to reach back through. Dean also felt like Cass gave up without a fight.

The moment when Cass revealed the true sequence of events was the absolute highlight of the episode for me. The conversation between Cass and Dean, seeing that weight of guilt and self-doubt floating up off of Dean’s shoulders, almost moved me to tears. It was that beautiful. I could easily believe how differently Dean had interpreted things – it was probably roaring-loud inside the portal, difficult to see, and Dean is already pre-programmed to blame himself for basically everything, so it made sense how he could see not being able to hold onto Cass as a personal failure. I’m so glad this was not the case.

Frankly, I’m also ridiculously glad to have some scenes that make me remember why I fell so hard for this show in the first place. Having that moment between Dean and Cass, and some earlier “brother moments” between Sam and Dean, it just reminded me how rare these scenes have become. We used to get something like this virtually every episode.

Sam: Very little evidence of the previous episode’s fight, which is a good thing – the sooner they drop that “You didn’t look for me!”/“I met a girl!” storyline, the better. Here, Sam and Dean seemed a bit subdued in the beginning, like the calm after the storm, quietly saying “hey” to one another and getting on with business. But there was no coldness between them, no evidence of lingering hostile feelings. Sam, in fact, was remarkably attentive to and compassionate towards Dean. In other words, Sam was Sam. He noticed something was bothering Dean and asked about it. He listened kindly to what Dean was going through, and offered words of support, plus a brotherly shoulder-pat. When Dean spoke about Purgatory, you could see in Sam’s face the beginnings of true understanding – and possibly a little bit of guilt at knowing what his brother went through.

Seeing Sam in his natural, compassionate state only emphasizes how out-of-character it would be for him not to look for Dean. Sam is a loving, sensitive, devoted brother, and his fans deserve a moment like the one we got for Dean in this episode: a moment when all is revealed, and nothing is as bad as we were led to believe. Dean really did do everything possible to get Cass out, and Sam really did do everything possible to find his bro.

Other Sammy goodness: Cute trick with the phone, muttering an exorcism to see if the demon reacted. First the reverse exorcism, and now this. Sam always has the coolest ideas. His delight at Cass’ return was also wonderful to see – these two have had some really nice moments, particularly in the past two seasons, and I think their bond has grown tremendously. At times Sam has had faith in Cass when even Dean didn’t.

Cass: HE’S BACK! He showed his wings! He helped Dean let go of some guilt and kicked demon butt (Crowley butt, no less!) and did an entire body (clothing included) shave/cleanse in about five seconds. To say that I love Cass is a drastic understatement.

He seems to be re-marbled, too. Right before Purgatory, he was kind of crazy – an utterly adorable kind of crazy, but still crazy. Now his screws seem tighter (not too tight) and he seems more like who he was before taking on Sam’s madness. I guess all the constant killing in Purgatory wiped away his notions of a peaceful, bee-keeping existence. Wanting to stay in Purgatory to atone for his sins was so very Cass-like. His line: “I wasn’t weak – I was stronger than you” gave me a big old throat-lump. He called Dean his friend, and all the history just flooded between them. This fan was happily swept away.

Crowley: A pleasure, as always. His reactions to the batch of future prophets were priceless. Just the expression on his face when that lady started “reading” the tablet: “We hold these truths to be self-evident…” ROFL!

Also, we learned some interesting things about prophets – how there is only one at a time, and how all angels know the names of those who’ve been born – and the fact that there are numerous tablets, possibly one for locking away all dark creatures, and possibly one for angels as well. Oh no, suddenly I just got real worried for Cass… **shakes thought away**

And speaking of angels:

Naomi: Who the heck is she? What does she want? It’s obviously not anything good if she’s using Cass against his will and wiping his memory afterwards. She is spying on Sam and Dean, which means she’s probably keen on getting insight into the tablets. For what purpose I don’t know, but Cass is the only member of his “species” that I trust. I liked the moment when Naomi took him – it was so jarring, I thought something was wrong with my TV. A great bit of writing/editing that put me right in Castiel’s shoes, how he felt when she just yanked him away from Sam and Dean.

So, we now know how Cass got out of Purgatory (a bunch of angels busted him out on Naomi’s orders) and why he doesn’t remember it. We just don’t know what the agenda is.

I have to say, I’m glad the angels have a part in the storyline this season. Ever since they were introduced in season four, they’ve given the show a certain weight – a certain power – that it never quite had before they came aboard. Angels elevated the mythology. And when they’re not involved, or only minimally involved, the show feels weaker. So, bring on those winged warriors and their sneaky, dirty, sometimes-as-bad-as-the-devil-himself plans. I’ll be loving every minute of it.

Kevin: At least he was smart enough to know the witch was a bad idea. Still too much of a teenager not to ogle the girl, though. 🙂 I don’t blame the poor kid for spilling info after having his own finger sliced off (hope Cass really can fix it) and watching Crowley pop another prophet like a water balloon. I actually don’t think Kevin told the King anything too damaging – just piqued his interest, which is never a good thing. I’m glad Cass and Dean and Sam got there in time, and we only lost a little slice of Kevin.

Tiger Mommy: After the initial trauma of being possessed, she’s back to her old ferocious self and I could not be happier. She douses her own son with holy water every time he walks in the door. She blasted a demon with a Holy Water Super-Soaker and took him hostage in the trunk of her car. And she explained her decision to contact the witch by stating the obvious: “To make demon bombs!” Duh! Factor in her reactions to Kevin’s witch-ogling and an uncomfortable misunderstanding about some of Craigslist’s “services,” and this Momma was in top form. Love her.

Final thoughts: This was one of the best episodes of Supernatural in a long time. This is the kind of episode that makes me want to plant a big, wet smooch on the show’s cheek. This is the kind of episode that makes me want to bust out my old DVDs and watch them again (something I haven’t done in so long). This is what I want to see every week – not just once in a cerulean blue moon. This is Supernatural.

Mentalist Review: Episode 5×07 If It Bleeds, It Leads

Review of Episode 5×07: If It Bleeds, It Leads
by castiello

Overall: What a strange episode! And a way more important one than I would have guessed from the previews. Maybe it was just the fact that I was really sleep-deprived when I watched it, but there were a couple of things that didn’t make sense. Generally speaking, though, I was intrigued, and definitely enjoyed that Lisbon had such a prominent role in the story.

Lisbon: Looking lovely with her hair wavy and bangs pushed off to the side (yay!), our favorite boss lady took on the dual tasks of getting Jane to stop obsessing (good luck with that…) and trying to build a case against a well-connected billionaire. Neither effort was successful, but I gotta give her credit for trying. I love that she is doing her best to look after Jane, even when he makes it impossible. I like that she was able to pick up on the secretary/assistant’s distress, but why the heck didn’t Lisbon get that girl some protection after the girl agreed to cooperate? The poor thing was obviously scared. Lisbon promised her she would be safe, and then didn’t post any guards on her or move her to a different location or anything…I mean, Volker arranged for the mass murder of an entire tribe of people. Lisbon knew how dangerous he was. I’m sure he still could have gotten to the girl anyway, even despite protective measures, and the ending of the ep would’ve been the same, but at least it would look like Lisbon did everything possible to prevent the murder. I could certainly feel her heartbreak at the end, but at the same time, I was like “What did you expect? You didn’t protect her!” Maybe there were guards and I just zoned out for that part (I told you I was sleep-deprived), but I don’t remember anything about that.

Another strange thing – the ending itself. They didn’t catch the bad guy! It just sort of ended on this sad, defeated note. Lisbon vowed to get Volker (and I’m sure she will), but it will have to be in another episode. In a way this is cool, because it means Lisbon’s got multiple arcs this year: she’s got the poker games with “really important CBI/FBI people,” she’s got a relationship with Kirkland (who may or may not be Red John), and now she’s got a vendetta against a super-creepy psychopath billionaire. I’m so excited to see where all this goes.

Jane: He seemed to be preparing Lisbon to “go on” without him, which makes sense, because he was also working on ways to bust Lorelei out of prison. If successful, he would be off somewhere trying to get her to give up Red John, and not around to help the CBI investigate cases. Why Lorelei is in a maximum security prison in the first place is completely baffling to me, but that whole arc has been baffling since early in the season. I guess Red John and his FBI mole did not bust Lorelei out, after all. They just moved her to another prison. Why? And why does Jane have to break in to get to her? A judge already ruled that CBI should have custody of Lorelei. The FBI was acting illegally when they stole her. So, now that Jane has found her, shouldn’t there be a legal course of action he can take to get her back into CBI custody? Maybe he’s afraid the FBI would just take her away again as soon as they got wind of what he was trying to do? Just the fact that she is still in any kind of government custody is completely perplexing to me. Does the official FBI have her in custody because they’re trying to get the glory for bringing down Red John, or does just a small, Red John-controlled “section” of the FBI have Lorelei in custody to keep her away from Jane? Somebody else is going to have to figure this out, because my brain just imploded.

Moving on, I don’t like when Jane acts as though Lisbon needs lessons from him on how to do an investigation. I mean, it’s definitely in character – he’s always thought the team was kind of helpless without him – but I guess I just wish the show wouldn’t continue to back him up on that point. When Jane was away for six months last season, the team’s case resolution rate dropped into the toilet. Here, again, when Jane was less involved in the case and Lisbon was working it mostly on her own, the bad guy got away. It’s like the show is saying the team really can’t do it without him, and I disagree. Jane may close cases fast, but he also does it dirty – half the tricks he uses would get the evidence/confession thrown out in court.

Jane trying to get into the prison (and asking Cho about it!) was pretty darn funny. Jane was also funny with the weather girl (*smack* Lisbon: I hope that hurt), and on the news show: “We’ll be right back after a short commercial break.” LOL.

Cho/Rigsby/Van Pelt: If I have to group them together, then they didn’t get enough to do! Still, I did ask for a Lisbon episode, and this one gave her lots of opportunities to shine, so I guess I can’t complain. I did love Cho’s reaction to Jane’s maximum security prison question. Cho even told Lisbon about it, which is interesting. Are Cho’s loyalties shifting away from Jane a bit? Maybe a sign of the betrayal the team felt when Jane left them last season? Or maybe Cho just doesn’t want Jane to do something monumentally stupid. Again.

Kirkland: What’s up with this guy? They are certainly making a huge deal out of him – particularly his very brief interaction with Jane. I couldn’t help but think, OMG, Jane is shaking hands with Red John right now and doesn’t even know it! And he works for Homeland Security – yikes. Then again, this show does tend to throw out red herrings a lot – remember Bertram quoting that Blake poem? Would the show really let us meet the REAL Red John this way? Or is Kirkland just another minion? Either way, it seems that he’s trying to protect Volker, and Volker is just the type of person who’d be a member of Red John’s “club.” Did you see him sitting there, just watching that girl get strangled? Creepy as all heck.

All in all: I did really enjoy the episode, even though it ended on a strange sort of “To Be Continued” note that is usually reserved for hardcore Red John episodes. Maybe this was a hardcore Red John ep. Whatever it was, it took me by surprise. I had no idea until about two-thirds of the way through that we were diving into such deep waters. I wish the Lorelei/FBI thing was a little bit more understandable, but I love that Lisbon’s got a villain of her own to go after and the fact that we may have gotten some very important info about the Big Bad himself. Definitely and very eagerly looking forward to next week and the rest of the season. Let the mind-blowing conspiracies continue!

Supernatural Review: Episode 8×06 Southern Comfort

Review of Episode 8×06: Southern Comfort
by castiello

Overall: Honestly, it’s hard to know what to say about this one. There was so much in it that I loved: the main storyline, the performances, heck, even the dead soldier (he looked great!). I loved how this episode dealt with Bobby’s memory, and I loved the flashback showing how the old penny changed (<-unintentional pun) hands. There was just one piece that didn’t fit – one element that ruined an otherwise excellent episode, and it’s the same thing I (and numerous other fans) have been complaining about all along:

After weeks of holding out hope that there was something more to the story, that the writers wouldn’t treat a beloved character so badly, that surely, any episode now, we would see the one flashback we’ve all been waiting for: Sam, scouring the Internet for clues to Dean’s whereabouts, calling up random people in Bobby’s journal who might be able to supply a lead…after all that, it looks like the show is going with the version it gave way back in 8×01. AKA, the ludicrous, completely unbelievable version: Sam really, truly did not look for Dean.

My response: ARE YOU FREAKING KIDDING ME?

**sigh**

Dean: I thought he was pretty straightforward in answering Sam’s questions about Benny. I could understand Dean being annoyed when Garth kept saying all those Bobby quotes (and even wore one of Bobby’s hats!), but Garth did not deserve Dean’s too-harsh, emotionally-charged reactions. I felt for poor Garth when Dean finally pushed him to tears. He was absolutely right that Bobby belonged not just to Sam and Dean, but to an entire community of hunters, who relied on him for everything from Wendigo advice to FBI credentials. That was something Dean needed to hear, and Garth (in all his Bobby-ishness) was the perfect person to knock Dean back into line. The ending, with Garth saying “idjit” and “balls” in proper Bobby fashion, and Dean placing the hat on Garth’s head, was a perfect conclusion to this little storyline between the two of them.

As far as the “main” storyline, it made perfect sense that the spectre was attracted to Dean: the soldier’s feud was with his own brother, and Dean has brother issues to the moon and back. I didn’t really have too much of a problem with what possessed!Dean said, except for the parts where he blamed Sam for soulless-Sam’s actions. I don’t know why he’d still be holding a grudge after he found out it wasn’t really Sam who did those things. I guess grudges don’t necessarily have to make logical sense all of the time. Dean spent a year thinking Sam was dead (and yes, Dean did try to bring Sam back during that time), settled into a life with Lisa, and then had everything ripped away when Sam popped back in to say “hey,” so I guess that would be a hard series of events to get over. Still, not Sam’s fault.

Of course, it was difficult to hear Dean say, “Benny’s been more of a brother to me than you’ve ever been” – a line no doubt designed to provoke outcry from the fans – but knowing all that these brothers have been through together, the sentiment just doesn’t ring true. This whole storyline of “Sam didn’t look for Dean. Now, Dean is back and he’s pissed. Cue: Brother VS. Brother” – has the same contrived feeling that much of season four did. Back then, I felt like the writers were forcing the characters in an unnatural direction, rather than letting Sam and Dean lead the way, and that was the first time I ever distanced myself from the show. The performances in that season were excellent. Even the episodes, on an individual basis, were pretty darn awesome. But the growing rift between the brothers, leading to an eventual knock-down-drag-out-Sam-half-choking-Dean fight, just didn’t quite have the level of emotional believability that had made the show one of my favorites. I remember watching the fallout between the bros and thinking, “I don’t completely buy it.” At least I was close to buying it, though. It was almost purchasable. What the writers seem to be selling now, with regards to Sam’s character, isn’t something I would pick up out of a “FREE” bin at a garage sale – but more on that when we get to Sam.

As for Dean, I think we were all wishing that he would overpower the spectre and save Sam himself, without Garth having to intervene, but it wasn’t to be. The spectre was too strong, or Dean has too many issues. Assuming all of those things he mentioned are things he still holds grudges about, then Dean does, indeed, need to “own up to his crap” and sort things out, just to avoid another dangerous incident like this in the future.

Sam: His anger over Benny – understandable. Comparing Benny to Amy – also understandable. Saying he might just be the hunter to chop Benny’s head off – a little on the cold side, but he was mad. The very notion that he would do jack squat to find his missing brother – not remotely plausible.

The writers have done this character (and his fans) such a disservice with this storyline. In 8×06, Sam said to Dean, “I told you why I didn’t look for you.” Actually, Sam, you didn’t: you said you panicked after Dean disappeared (okay), drove away (okay), hit a dog (not okay, but it happens), and then…settled in at a motel with the dog, eventually accepted that Dean was truly and forever gone (based on no evidence that we’ve heard so far), and proceeded to enter into a relationship with a girl named Amelia (?????). I’ve already repeatedly stated that this in no way fits Sam’s character, so I’m not going to say it again. Instead, for the very first time ever, I will be rewriting canon:

From now on, in my head, Sam spent his time at the motel doing research while he watched over the recovering dog. He called Joshua and a bunch of other people, and they did their own research. Eventually, one by one, all of the contacts called him back with the same conclusion – the powerful God weapon that destroyed Dick, also destroyed Dean and Cass. Their earthly bodies had been incinerated away to nothing by the blast, and there would be no bringing them back. Ever. Sam cried as the overwhelming evidence began to sink in. The dog limped over and licked his hand. Sam made the decision to give up hunting, and tried to figure out what to do next. He got a job as a repair man, and crossed paths with Amelia again. Their losses gave them a common bond, and they hooked up.

This way, when Sam tells her that his whole world shattered at the loss of Dean, I can believe him. He tried, he failed, he had to move on. It’s the only thing that makes sense.

Garth: This actor did such a great job in the episode. I wasn’t a huge Garth fan before this, but I am now. His emotion when talking about Bobby, his sensitivity when speaking to possessed!Dean (“You don’t want to hurt Sam…You’ve been protecting him your whole life – don’t stop now.”) were just so right on the mark. He was far and away the best thing about the episode, and I look forward to seeing him (and hearing him say “Balls!”) again in future episodes. The decision to give this actor some serious, emotional material to chew on was excellent. Five stars and a round of applause.

Amelia: I still like her – she was fine in this one. (It’s not her fault Sam got a stupid storyline). I even thought she was pretty funny, with the line “Now I pity you.” I’d still like to know about whatever break-up/parting-of-ways thing happened between her and Sam. I’m sure they’ll show it eventually, unlike the Sam-looking-for-Dean flashback, which now seems like a long-shot. My only issue with Amelia’s story in this ep was her husband enlisting out of the blue without telling her. Who does that? Is there something more to that story, something possibly related to the current story? I’d like to think so, but I don’t have a ton of confidence right now.

Looking ahead: I hope the writers surprise me and make me eat my words with regards to Sam’s storyline. I would grin like a fool. I’m still excited about Benny, and the possibility for future run-ins with the brothers. After the last ep, Benny was awfully sympathetic. Methinks he has probably either done something bad that Dean doesn’t know about, or is about to. I’m looking forward to learning more about what happened to Cass, and I’m eager to have the Sam storyline either corrected, or left in the dust. Amelia is welcome to come join the current timeline and stir things up a bit (the actress is probably sick of shooting flashbacks by now) and Garth is MORE than welcome to come back anytime, every time, and talk some sense into our two favorite idjits.

Mentalist Review: Episode 5×06 Cherry Picked

Review of Episode 5×06: Cherry Picked
by castiello

Overall: When the episode starts more than a half-hour late (thanks a lot, CBS), and I’m still not getting sleepy by the end of it, then I know it’s a good one. I’m happy to say that 5×06 fell into that category. The episodes that involve kidnapping always have an intensity about them that the regular murder investigations usually lack. Add Jane’s questionable negotiation tactics into the mix, and we’ve got a real nail-gnawing situation on our hands. But the case wasn’t the only thing that grabbed me. I know some people don’t like it when the show works two different storylines in the same ep, but here I thought it was the right move. Having Jane investigate Lorelei’s disappearance while helping the team with the kidnapping gave the episode great continuity with the rest of the season. If three eps went by without a mention of Lorelei, then that would just be weird. The Red John case will always be front and center where Jane is concerned, and it’s good that the show is giving us some forward momentum on that storyline.

Jane: Okay, seeing him negotiate with kidnappers is just plain scary. I know he knows what he’s doing, but still. He’s not always right, and sometimes he just seems so reckless. Plus, in this ep, he was distracted by the Lorelei investigation, which made it even more likely that he might goof up. I was relieved at the end when everyone came back whole and alive. I couldn’t relax until I knew everything would turn out okay.

Jane’s intensity when interviewing the drivers was right on the money. His breaking and entering into the guilty driver’s home was not unexpected, nor was his decision to use blackmail. I really thought Jane was going to let this man off the hook for rape, just to get the info on Lorelei. I hated the thought, but Jane seems willing to let almost anything slide, if it means getting closer to Red John. It surprised me – in a very good way – to see that Jane had police waiting outside to arrest the driver. I don’t know what evidence they could have on the guy that isn’t fruit of the poisonous tree (Jane’s illegal search), but I don’t care. I figure: Jane’s smart, he came up with something. Maybe found the inmate who was victimized and convinced her to come forward.

Interestingly enough, it seems that the FBI are the ones who stole Lorelei. I had assumed this was an act of Red John himself, but I’m guessing he just orchestrated the whole thing through his mole in the FBI.

Other Jane thoughts: Jane plus dog always equals a win, no matter how brief the scene is. I actually thought the dog/open gate situation was going to play a bigger role in solving the case. It seemed to indicate that the kidnapper was unfamiliar with the property (which is true of the guy who actually carried out the plan), but other than that it didn’t seem to go anywhere. Maybe I just missed something. Also missed how Jane got the homeowner’s phone number so quickly after arriving on the scene. I guess you could say he had the brother’s last name, and was able to use that to quickly search for the number on his cell phone, but it’s a stretch. It was a funny scene, though – cruel, but funny. “Are you alone? What are you wearing?” LOL.

Jane refusing Lisbon’s help in handling the driver was sad. It’s like he was saying “thank you” and “I’m sorry” at the same time. Sorry that he didn’t trust a legitimate, official investigation to get him what he needed. Sorry that he was letting her down by going outside the law (once again), but unwilling to take the chance of another lead slipping away. At least when Jane goes illegal, he does (usually) try to keep Lisbon and the others out of it, for their own protection.

Lisbon: Poor Lisbon, having to deal with bureaucratic public relations crap once again. Not only did she have to deal with a double-kidnapping, a murder, and a difficult victim-family-member, but she had to do it all with Brenda and Bertram breathing down her neck. Nice. I loved her standing outside the locked door, trying to mend fences with the guy who’d shut himself inside. “I feel bad that you’re in there…” Such great, long-suffering line-delivery.

I liked that Lisbon was sensitive to Jane’s other case (the driver interviews) and their importance. She did not hesitate to let him leave when he said he needed to. I also love that she offered to help Jane once he figured out who the guilty driver was. She is sweet and good-hearted, even if she isn’t the best “actress.” You could just see the hurt on her face when Jane implied she didn’t do a great job pretending to be shot, and when Brenda gently declined to have Lisbon make an on-camera appearance. I think Lisbon tries so hard not to suck on camera, that she just ends up being totally awkward. The fact that she gets flustered and screws up makes me love her ten times more. She is awesome at her job. She stinks at interviews. She is a believably-flawed, utterly endearing human being. 🙂

Cho/Rigs/Van Pelt: Not a huge amount of screen time for these three, which is okay – just as long as it doesn’t become a regular thing. I did love the little scene with Rigsby tossing popcorn (?), acting like a seal, and Cho actually laughing a little at Rigsby’s antics. I felt like Cho was happy to see his partner back in good spirits after what he’d just been through. Another thing I liked about this episode – although we only found out about it after the fact – is that it sounded like the team solved the case together. Jane might have started the ball rolling, but after that, everyone participated in figuring out who the kidnapper’s accomplice was and what the next move should be. They worked together to trick the female “victim” (I like that actress, btw – she did a great job) into fleeing with the money. It’s nice when Jane’s not the man with the plan, while everyone else is just sitting around clueless. Go team! 🙂

Brenda: Was it just me, or did she seem nastier in this ep? Always before, I felt like she was sympathetic to Lisbon, even when they had to work at cross-purposes. In this one, Ms. Public Relations just seemed like a b***h, threatening to call Bertram if Lisbon didn’t “behave.” I dunno, I usually kinda like her, but not in this episode.

Final thoughts: Progress on the Lorelei front – yay! Team working together – yay! Jane not letting a rapist get away for the sake of his obsession – double yay! Holiday Wish List: A Lisbon-centric ep in the near future. A Cho-centric ep in the near future. Another Minelli return. And a partridge in a pear tree (because Jane needs another animal to play with). Looking forward to 5×07!

Supernatural Review: Episode 8×05 Blood Brother

Review of Episode 8×05: “Blood Brother”
by castiello

Overall: Very solid, I liked it a lot. I know last week’s ep wasn’t great, and that almost anything would’ve been an improvement, but I think I would have enjoyed this one even without that comparison. It was evenly split between the two brothers (always a smart move), we got more info about both Benny and Amelia, a bunch of monsters got decapitated, and Dean said the word “vampirates.” How can you complain about an episode like that?

Dean: Annoyed at Kevin continually outsmarting them (understandable), and taking it out a bit on Sammy (not nice, but realistic – we all know brothers get that way with each other). Dean defends his attack on Tiger Mommy, which is disheartening – it would be better to see him admit that it was a mistake. I got the feeling he maybe knows that it was, and is just too proud to admit it. If not, then he’s got some soul-searching to do. Dean, remember when you begged Sam not to kill old Yellow Eyes, when the demon was in John’s body? That’s how Kevin felt when you were about to kill his mom…

Where friends are concerned, Dean is still every bit as loyal as he ever was, leaving immediately to go to Benny’s aid. Flashbacks to Purgatory reveal Dean’s continued insistence that Cass come with them through the portal. The “friend thing,” as Benny calls it, seems to define Dean’s actions in Purgatory, as well as on Earth, so what went wrong? Why did Cass get left behind? The not knowing is torturing me…

Nice to see that Dean and comedy are still on great terms: Vampire…Pirates… Vampirates! (“Seriously? It’s like the third thing you say.” LOL). Also thought it was quite funny when he was trying to shush Sammy on the phone, and the off-screen decapitations were a riot—thud, pause, head goes flying.

The little non-verbal communication at the end there with Sammy was probably my favorite scene. The intensity as Sam realizes (I assume via Benny’s body temperature) that Benny is a vamp and begins to reach for a blade, only to have Dean give that tiny little head-shake. Powerful stuff.

Sam: Glad he stuck up for Kevin (and Tiger Mommy)! Hope he continues to try to pound some sense into Dean on that front. I actually thought, when we first heard that knocking sound, that Kevin was going to be there, just waiting for a moment alone with Sam. I can see why Kevin doesn’t want anything to do with Dean anymore, but Sam hasn’t really done anything wrong – if Dean were out of the picture, maybe Kevin would approach Sam for help?

But, alas, the knocking was a defective fan, which segued into Sam’s series of flashbacks. Turns out he was a maintenance man while Dean was gone! Interesting. I see that as more like something Dean would do – fixing things, tinkering with nuts and bolts. I’m sure Sam has a lot of experience at this, though  – he may not know his way around cars, but his family has been staying in crappy motels since before he can remember. He and Dean probably had to repair all kinds of appliances while John was out hunting. I do like that both Sam and Dean, during their “time off,” chose to do constructive things – Dean was a construction worker, building new houses, etc, and Sam was fixing broken appliances so they would work again. It’s like both boys had had enough of killing, so they both selected jobs that would involve creation, rather than destruction.

I liked Sam’s conversation with Amelia – how they were both kind of drifting and alone. Love that he was calling the dog “dog,” and how he said, “No, Dog – don’t bother the angry lady!” That was cute. Also liked his surprise that Amelia didn’t know the name of the manager’s son – to Sam, it is just natural to make this connection with other people, whether he is staying in town for one night, or a month. My main hang-up with his flashbacks and his storyline is that I still don’t buy him not looking for Dean. The more time that goes by without any form of explanation for this, the crazier I get. But, I think that is the writers’ goal this season – to really draw it out and make us wait for the answers we’re craving. As long as it is addressed in the end–in a satisfying, believable way–then I’m cool. But if it’s not addressed…cue rioting fans, complete with torch and pitchfork accessories.

Sam’s reaction to Dean alone in the vamp nest was great – clearly, Sam never stopped loving his brother. Coupled with the flashback about being alone in the world, Sam racing to Dean’s side seemed like Sam was very much afraid of losing Dean yet again…A stark contrast to the indifferent, independent Sam that Dean returned to in season four. And yet, season four Sam had tried desperately to bring Dean back before finally giving up and going after payback. This season’s Sam, as far as we know, did no such thing. Hmmm.

Sam’s reaction to Benny was fascinating – Sam was ready to kill, but stood down at Dean’s head-shake. Dean had already told Sam he was with a friend, and Dean and Benny arrived together on the boat, which would imply that Benny was “the friend.” So, did Sam think Dean didn’t know this guy was a vamp?

Lastly: Sam says all their friends are dead. So, then, what does that make Sheriff Mills – chopped liver with a sprinkling of onions? And what about the lady who helped them in Lawrence back in season one? Has Missouri been erased from the boys’ minds? Yes, most of their friends are dead, but there are still a few people on Earth who would come running to help the Winchester Boys at the first phone call. Let’s not forget about them.

Benny: We learned so much about him in this ep! I actually like him a lot more, now. I see him as different than Ruby because her agenda was so ultra-secret. Benny made his agenda pretty clear from the first meeting with Dean: “I want to ride you out of this place.” Benny’s unhappiness about partnering with Cass was also very clear, yet Benny respected Dean’s wishes, and even helped save Castiel’s life when he had every motive not to.

Turns out Benny lived a lot like Lenore and her nest – he made the switch to donated blood (her vamps lived off of animals), which meant he lived in peace with his girl, Andrea. This is the type of vampire Sam (and maybe even Dean) would have let live, even back in the old days. That makes Dean bringing him back to Earth more reasonable. Dean did not believe Benny would hurt anyone (though there were clearly a few lingering doubts–when Benny said “I messed up” you could tell from Dean’s reaction that he thought Benny just ate someone…). Benny’s plan for vengeance against the vamps that killed him (and killed/turned his girl) was completely justified, and I was glad Dean chose to support him. I could feel Benny’s heartbreak about what had happened to Andrea, and how there was no way to change her from the monster she’d become. Rough stuff.

We got some interesting new factoids on vampires – apparently they can be injured by other vamps, to the point of needing assistance. I thought only dead man’s blood was capable of weakening a vampire that way. We also found out that vampires feel a certain reverence for the one who turned them. I don’t think we saw this when Dean got turned in season six, though maybe it only takes effect after the first feeding. I still expected Dean to mention his own experience as a vampire. Interesting that he didn’t – maybe this is something they already spoke of in Purgatory? Whether Benny knows it or not, I think one tiny part of the reason Dean was able to accept his friendship is because Dean knows what being a vampire is like. He’s been there, and he hasn’t forgotten.

Benny’s best moment in this ep, by far, was the flashback where he saved Cass. Though he had every reason to let the angel die, and could’ve easily made it look like he just couldn’t get there in time to help, Benny chose to kill the Leviathan (awesome special effects on those black, gooey fellas, btw) that was attacking Castiel. This earns Benny some major points with me (even though, as we saw with Ruby, actions are not always what they seem).

Castiel: How great is it to see this guy? Even if it’s only in brief flashbacks, I’ll take what I can get. In this ep he seemed resigned, depressed even – but he was still remaining with Dean and Benny, and there was no indication of them splitting up any time soon. By the end, even Benny seemed on board with the plan. So, how did Dean get from “All three of us are going through the portal, or we’ll die trying” to leaving his winged buddy behind? Inquiring minds want to know.

Amelia: I liked her better in this one. She seemed softer, more relatable. I’m curious to know how she ended up all alone. Her lines about Sam being creepy and army surplus-y were funny, and I thought she and Sam had good chemistry together. I can get behind Sam’s relationship with her, as long as we learn that he did try to find Dean first. That’s a must. I’d also like to know, whenever the show gets around to it, why Sam and Amelia are no longer together – some fans think Dean called Sam after re-entering the world from Purgatory, and that’s what made Sam leave her. Definitely a possibility, but there’s also a chance that it had nothing to do with Dean’s arrival. What else would prompt Sam to leave the life (and the girl) he loved so much?

Overall: Heads flew, the dog continued to be adorable, Sam found out about Benny, we found out more about Amelia and Benny, and the brothers shared some intense, emotional moments. Supernatural, it looks like you’re back on track. (Just keep the flashbacks coming, okay?)

Mentalist Review: Episode 5×05 Red Dawn

Review of Episode 5×05: Red Dawn
by castiello

Overall: As soon as I saw the previews for this episode, I just knew I was going to love it. Then I saw the episode, and it wasn’t exactly what I thought it was going to be. Don’t get me wrong–I did love it, most especially for the stellar performances, but there were a few things that kept it from being the absolute killer episode I was expecting. Mostly just some hiccups in the believability of the storyline. For such an epic episode, I wanted it to be totally flawless. The acting, IMHO, was – I have no idea how our cast wiped out years of history and familiarity, making me believe that everyone was meeting Jane for the first time, but they did it. Top marks to Robin, Simon and Co. Top marks to the director, too. A few points off for the writers, but I give them credit for tying in the FBI and making this flashback episode (which I would’ve enjoyed even if it was pointlessly tossed into the middle of the lineup) actually fit into the season’s arc. Even set in the past, this ep gave new information and helped to move the current storyline forward. Well done on that part!

Jane: Oh, Jane. You poor, raw, wounded, fragile thing…Seriously, how fresh was the pain in his eyes? Wow. And such a change from the cool, slick, and confident man we often see nowadays. He seemed like a little lost lamb, wandering around the CBI offices. Totally adrift. Not as completely helpless as he seemed (he did manipulate Hannigan into hitting him, just to stay in the office), but almost.

I did have a hard time believing that the CBI would allow someone like Jane to not only ride with an agent out to a murder scene, but actually get out of the car and go over to the body and everything. I know they said the forensics people were done, but still. I just can’t imagine this would ever happen. Minelli (yay!) wanted to keep Jane happy by letting Jane ride with Lisbon and ask questions about Red John, but we never saw anything about the car ride, or whether they actually discussed Red John or not. We just saw Jane exit the car at the crime scene and start walking around.

It was obviously necessary to the storyline for Jane to flex his psychic “muscles” in front of Lisbon, but I do wish it had come about in a more natural, believable way than a victim’s family member tagging along on an investigation for no justifiable reason. If Jane had followed Lisbon to the crime scene in his own vehicle, still seeking answers about Red John, I would have had an easier time with that.

Speaking of Jane’s “gift,” I didn’t feel like he did anything too impressive, prior to smoking out the killer at the end of the ep. He did a little bit of cold-reading, some basic deductions from crime scene clues, and some body-language interpretation. In a way I felt like he should have done something more grand, to warrant Lisbon’s request for his help at the end. But then again, that’s not the main reason she asked him – I think it was much less about the team needing help (they weren’t that stuck) than it was about getting Jane away from the Red John files and giving him something else to do, and I wholeheartedly love her for that.

Also love: The look on Jane’s face when he first opened one of the Red John evidence boxes, only to have Lisbon immediately call him away from the files – man oh man, he did not want to step away from those files. You could already see the hunger, the need, the beginnings of obsession. Fantastic acting. And Jane’s anger, when he was talking to Lisbon about psychics – wow. Incredible to see so many emotions from Jane, back in this time period when he was too fragile to cover them up.

Can’t forget the Jane-meets-couch moment, either. The way they shot that was so cool, to make him look like he was lying down on it, when really he was standing up, leaning against it. The scene at the end with him finally snoozing on it, the Red John files all around, and Lisbon’s little “shhh!” was beyond priceless.

The hug between Jane and Lisbon was probably my favorite part, though, just because you could see the gratitude on Jane’s face – Lisbon cleaned him up and gave him something to do, when before he had nothing. She helped him find a reason to wake up in the morning, other than hunting Red John. In a very real way, she saved him.

Lisbon: How pretty did she look in this one? I love no-bangs Lisbon as much as I love vagrant, five-o-clock shadow Jane. Which is to say, a lot. She just has such a beautiful shape to her face, and the bangs cover part of it up. It was nice to see her whole face again, even if it was for only one episode.

Superficial gushing aside, Lisbon was great in this ep – stern, compassionate, sensitive, intelligent, annoyed, funny. She had some of the best lines (Jane: I cleaned up, like you said. Lisbon: Yeah…It’s a process. ROFL!). It made total sense for her character that she would end up with someone like Hannigan on her team. Even back then, I guess she was the “parent” agent who could keep problem children in line. So funny to hear her horrified reaction after Hannigan hit Jane – I am used to hearing her yell at Jane that way, not somebody else!

The best thing about Lisbon in this episode was her perceptiveness. The more she interacted with Jane, the more she could sense how lost he really was. When she saw him opening that first Red John box, I think she just knew he was headed for darkness – and her first instinct was to steer him in the opposite direction. Speaks volumes about her character, and her relationship with Jane – from that early on, she was already trying to save him from himself.

Minelli: Love him. Miss him. He needs to be on here WAY more often. At least he got a scene with Lisbon, this time. I’ve always loved their relationship; you can just feel the depth of his fondness for her. His avoid-lawsuit-at-all-costs attitude was perfectly in character, but I’m still trying to get past the implausibility of him sending Jane out to a crime scene with Lisbon. I’m going to assume Minelli just thought Jane would stay in the car, or would get dropped off somewhere as soon as Lisbon finished answering his questions. Minelli probably didn’t realize that Jane had absolutely nowhere else to go.

The little scene at the end with the FBI lady was intriguing. You could tell Minelli was going against his better instincts, and who knows how much horrible stuff has happened as a result. The scene definitely felt Red John-ish. When they showed the man in the car with her, I actually thought we might’ve just met Red John himself. I’m starting to doubt it now, though, because he seemed kinda on the younger side and not bad-looking (Bruno once said that Craig O’Laughlin was too handsome to be Red John — someone so good-looking would not need to go around, cutting up women).

Last little tidbit about Minelli – he knew Jane was in a mental hospital? And he never told Lisbon? Wow. Interesting. Not sure what to make of that. You’d think he would give her a heads-up – Lisbon, as Jane’s direct superior, would be in the best position to notice if Jane was starting to show signs of cracking up.

Cho/Rigsby: The one-liners. The facial hair. The joy. Cho got the best material, as always (Jane: Just pretend I’m not here. Cho: Okay.). Loved the looks both guys kept shooting at Jane. And near the end, when Rigsby was getting all caught up in Jane’s act, and Cho just gave him this sideways look, like, “Seriously?” Pure gold. I wish they had been in it more, and I definitely missed Van Pelt, but the focus did need to be on Jane, and how he got started on his path as a consultant.

Final thoughts: A few bumps in terms of believability issues, but all in all, it was a beautiful episode (both visually and emotionally) and one I know I’ll enjoy watching many more times. Hope everyone else enjoyed it, too! I’ll have to go find out!

New Halloween Story

If you’re searching for something to get you in the Halloween spirit, go check out my new story, “The Pumpkin Master,” published just yesterday on Every Day Fiction! It’s a gore-free, family-friendly look at my all-time favorite holiday. Hope you like it!

http://www.everydayfiction.com/the-pumpkin-master-by-gretchen-bassier/

Happy Halloween, everybody! Be safe and watch out for zombies!

-Gretchen

NaNoWriMo?

Yes, I’m speaking English, and no, microscopic computers are not invading the planet (yet). NaNoWriMo is short for National Novel Writing Month, which begins in a few short days!

Each November, bunches of people try to write a complete novel, from start to finish, in a single month. I’ve never tried it before, but a surprising number of people actually succeed at this. Most of the ones who do seem to have a set way that they go about it, including a word-count that they must reach per day (2,000-3,000 words/day seems about right). You have to register to officially participate in it, and anyone who completes their (50,000+ word) novel is a “winner.” Winners are eligible for discounts, special opportunities, and craploads of other goodies. There are many activities/forums to participate in while you are doing NaNoWriMo, plus contests, etc. to enter your manuscript in when you’ve completed it.

So, if you’re someone who has a great idea for a novel, but you’re always putting off writing it for one reason or another, this could be your chance. Let the deadline be your cattle prod. Let an entire community of writers be your support group. Stop making excuses and WRITE THAT BOOK!

To check out more info, go to:

http://www.nanowrimo.org/

Good luck, and have FUN!

-Gretchen

And the Winner Is…

Whether you’re already published or just starting out, writing contests can be a great way to get your work noticed. They can also work well as motivating tools, especially for some of the more reluctant writers – deciding to enter a writing contest can help you get your butt in gear, get that story finished, and get it submitted. If you work well under pressure, a deadline can be a beautiful thing. 🙂

That said, be careful which contests you choose to enter – especially if they’re asking for an entry fee. Always do your best to make sure the publication or organization running the contest is reputable. Check how long the contest has been running, and do a little research to find out whether agents and publishers view the contest as respectable. Also, take into account the prizes being offered: are they rewards that will help you take the next step in expanding your writing career (e.g. money, exposure, one-on-one attention from agents/publishers), or just something to make you feel special and encouraged about your skills (certificates, winners’ names published in a special magazine issue, etc.)? Either one is fine, depending on what you want to get out of the experience.

To help you get started, here is a teensy-tinsy sampling of some of the contests available. The first two are free (best kind, in my opinion), the third one is a reputable contest with a reasonable entry fee:

For the Sci-Fi/Fantasy Writer:

Writers of the Future Contest

This contest has a big range of allowable word-counts, and has four entry periods (and four first-place winners!) per year. Prizes include a $5,000 grand prize, $1,000 first-place prize, and publication in an illustrated anthology. Cool stuff! My tips: enter early in the quarter, enter electronically (you’ll get your results more quickly), and don’t check the forums – it’ll drive you mad when other people start getting results and you still haven’t heard anything…Other notes: The Contest Administrator, Joni Labaqui, is super-helpful and she will always write back quickly to answer any questions you might have.

Find out more:

www.writersofthefuture.com/

 

For the Literary Short Story Writer:

Three-Minute Fiction Contest

All stories here must be 600 words or less, so put on your flash fiction hat. Prizes for this one vary, but usually include having your story read aloud on National Public Radio, and getting interviewed on the air. Finalists also have excerpts from their stories read on air. Tips: enter early (as always), and read the previous finalists’ stories (they’re all available on the website) to see what the judges are looking for. Again, don’t check the website all the time, unless you enjoy going crazy. Other notes: This contest tends to focus on literary stories. The best definition I have found for a literary story (and there are some really bad, super-confusing definitions out there) is the following: A literary story is a story that cannot be easily categorized, a story you will be thinking about for a long time after you read it, and a story that can be interpreted in multiple ways. So, think deep!

To find out about the current round, or when the next one starts, go to:

www.npr.org/series/105660765/three-minute-fiction

 

For the Short Short Story Writer:

The Writer’s Digest Short Short Story Contest

This is a contest for short stories of 1,500 words or fewer. I think all genres are eligible, but you may want to check out the previous winners’ stories (I think you can read them somewhere on the website) just to see what type of thing the judges are looking for. I’ve never done this one, but Writer’s Digest runs reputable contests, and their support staff if also very helpful and responsive. The entry fee is $20 and the deadline for entries is November 15. Winner gets $3,000 and a trip to the WD Annual Writing Conference. 2nd through 25th place stories also get various prizes and recognition.

To get more info, go to:

www.writersdigest.com/competitions/short-short-story-competition

 

Best of luck!

-Gretchen